Thesis (Ph. D.)--University of California, San Diego, 2008. / Title from first page of PDF file (viewed Mar. 16, 2009). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references: P. 228-240.

Thesis (Th. M.)--Holy Cross Greek Orthodox School of Theology, 1997. / Includes bibliographical references (leaves 113-115).

Diss.--Philosophische Fakultät I--Zürich--Universität, 1989.

Thesis (Ph. D.)--Philosophikē Scholē, Panepistēmiou Iōanninōn, 1980. / Summary in Italian. Includes bibliographical references (p. [23]-32) and index.

Thesis (Th. M.)--St. Vladimir's Orthodox Theological Seminary, 1992. / Includes bibliographical references (leaves 151-157).

Thesis (Ph. D.)--Harvard University, 1992. / Includes bibliographical references (p. [396]-439) and abstract.

Doctoral thesis--Johannesburg--Rand Afrikaans university, 1983. / Bibliogr. p. 13-37.

The purpose of this study is to consider the extent to which the text of the medieval French epic, Le Pelerinage de Charlemagne, shows evidence of having been composed according to the techniques of a traditional oral style. By an analysis, both descriptive and statistical, along the lines of the "formulaic" diction shown by recent critics to be the basis of oral epic song, it is demonstrated that Le Pelerinage de Charlemagne is constructed in large part according to the same categories of formula or types of formulaic system as have been identified elsewhere in other "chansons de geste." It is therefore concluded that the poet or "jongleur" to whom the Pelerinage de Charlemagne should be attributed shows mastery of the technique of, the oral epic which, in all probability, it was his purpose to parody. / Arts, Faculty of / Central Eastern Northern European Studies, Department of / Graduate

No description available.

No description available.