Submitted by Glauber Assunção Moreira (glauber.a.moreira@gmail.com) on 2018-08-20T18:12:19Z No. of bitstreams: 1 TESE-ADRIANA SILVA AMORIM.pdf: 1407468 bytes, checksum: e678931da2c0e14c30dc39261391c297 (MD5) / Approved for entry into archive by Setor de Periódicos (per_macedocosta@ufba.br) on 2018-08-21T14:05:26Z (GMT) No. of bitstreams: 1 TESE-ADRIANA SILVA AMORIM.pdf: 1407468 bytes, checksum: e678931da2c0e14c30dc39261391c297 (MD5) / Made available in DSpace on 2018-08-21T14:05:26Z (GMT). No. of bitstreams: 1 TESE-ADRIANA SILVA AMORIM.pdf: 1407468 bytes, checksum: e678931da2c0e14c30dc39261391c297 (MD5) / RESUMO A presente tese apresenta os resultados da pesquisa de caráter predominantemente bibliográfico, cujo principal objetivo foi investigar as características formais e conceituais do futebol que tornassem possível afirmar que, na relação com o esporte em questão, o torcedor brasileiro vivencia uma verdadeira experiência trágica, conforme configurada nos termos poéticos, expressos a partir de elementos relacionados à sua forma, e nos termos teóricos, com base nos elementos relacionados a tal experiência do ponto de vista filosófico. Para tanto, foram investigados os diversos modos de compreensão do conceito de “tragédia” e de “trágico”, a partir da literatura dramática e da literatura filosófica que apresentam investigações sobre o tema, ancoradas, respectivamente, em Aristóteles e Friedrich Nietzsche. Além disso, foram construídos conceitos próprios e originais inspirados por uma lógica dramatúrgica, testados no objeto escolhido, qual seja, a Copa do Mundo de Futebol de 1950, realizada no Brasil, focando mais especificamente na última partida que foi disputada pelas seleções do Brasil e do Uruguai. / ABSTRACT This thesis presents the results of predominantly bibliographical research, which main objective was to investigate the formal and conceptual characteristics of football association (soccer) that would make possible to say that through the relationship with the sport in question, the Brazilian fan lives through a true tragic experience as configured in terms poetic expressed from elements related to its form, and a theoretically based on the information related to the experience from a philosophical point of view. Thereunto, different ways of understanding the concept of “tragedy” and “tragic” were investigated, from the dramatic literature and philosophical literature presenting research on the subject, anchored respectively in Aristotle and Friedrich Nietzsche. In addition, original and own concepts were built inspired by a dramaturgical logic tested in the chosen object, namely, the Football World Cup 1950, held in Brazil, focusing more specifically in the last match that was played between Brazilian’s and Uruguay’s teams.