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The whole as a result of its parts assembly in Aaron Copland's score for the red pony /McGinney, William Lawrence. January 2003 (has links)
Thesis (M.M.)--University of North Texas, 2003. / Includes bibliographical references (p. 176-178).
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The Piano variations of Aaron Copland an analysis /Saun, Rinna. January 2003 (has links)
Thesis (D.M.A.)--University of North Texas, 2003. / Accompanied by 4 recitals, recorded Apr. 24, 2000, Apr. 9, 2001, Sept. 17, 2001, and Apr. 21, 2003. Includes bibliographical references (p. 37-39).
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The influence of Aaron Copland on Leonard Bernstein /Laird, Paul R. January 1982 (has links)
Thesis (M.A.)--Ohio State University, 1982. / Includes bibliographical references (leaves 103-108). Available online via OhioLINK's ETD Center.
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Aaron Copland's Emblems /Carnochan, Robert Marbury, January 1999 (has links)
Thesis (D.M.A.)--University of Texas at Austin, 1999. / Vita. Includes bibliographical references (leaf 118). Available also in a digital version from Dissertation Abstracts.
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Tonal coherence in Copland's music of the 1940s /Kleppinger, Stanley V. January 2006 (has links)
Thesis--Indiana University, 2006. / Computer printout. Source: Dissertation Abstracts International, Volume: 67-04, Section: A, page: 1145. Adviser: Mary H. Wennerstrom. Includes bibliographical references (leaves 303-308), abstract, and vita.
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Part I. An analysis of Aaron Copland's "Twelve Poems of Emily Dickinson." : Part II. Homage, a score for orchestra /Daugherty, Robert Michael. January 1980 (has links)
Thesis (Ph. D.)--Ohio State University, 1980. / Includes bibliographical references (leaves 111-112). Available online via OhioLINK's ETD Center.
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A Comparison of the Variation Technique Employed by Beethoven and CoplandParrish, Mary Kay, 1940- 05 1900 (has links)
Draws a comparison between the piano variation techniques of Beethoven and Copland with reference only to the two works discussed herein, Thirty-Two Variations and Piano Variations, with the intent of gaining from these isolated examples knowledge of the changes in variation writing from Beethoven's time to the present.
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El Salón México by Aaron Copland a study and comparison of the orchestral score and two transcriptions for band /Svanoe, Erika Kirsten, January 2009 (has links)
Thesis (D. M. A.)--Ohio State University, 2009. / Title from first page of PDF file. Includes vita. Includes bibliographical references (p. 100-102).
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Analysis of the original composition Fanfare suite /Anderson, Erik Lynn. January 1900 (has links)
Thesis (M.M.)--California State University, Long Beach, 2007. / Thesis called v.1, score called v.2. Media material contains author's Master's recital, performed September 16, 2006. Photocopy of typescript. Abstract preceding title page. Includes bibliographical references (leaves 33-34).
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Tonal coherence in Copland's music of the 1940s /Kleppinger, Stanley V. January 2006 (has links)
Thesis--Indiana University, 2006. / Includes bibliographical references (leaves 303-308), abstract, and vita.
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