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An analysis of dissonance treatment in the opening slow movements of Corelli's trio sonatasPeiper, Chad Evan. January 1996 (has links)
Thesis (M.A.)--University of California, Santa Cruz, 1996. / Typescript. Includes bibliographical references (leaves 98-100).
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Tonality in the instrumental works of Arcangelo Corelli, 1653-1713Bailey, Lynn Richard, January 1969 (has links)
Thesis (M.M.)--University of Wisconsin--Madison, 1969. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Il concerto grosso romano : questioni di genere e nuove prospettive storiografiche /Pavanello, Agnese. January 2006 (has links)
Diss.--Fribourg, 2003--Phil.-Fak. / Sources et bibliogr. p. 333-376.
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A Realization and Edition of Three Sonatas by Corelli for Two Violins and HarpsichordCox, Bobby Wayne, 1926- 08 1900 (has links)
This thesis covers the history of Archangelo Corelli, and includes the creation of and three sonatas by Corelli.
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Structure and technique of the variation genre in selected violin sonatas of Corelli, Locatelli and TartiniKwon, Yongsun, January 1900 (has links)
Treatise (D.M.A.)--University of Texas at Austin, 2006. / Vita. Includes bibliographical references.
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Bach und Corelli : Studien zu Bachs Rezeption von Corellis Violinsonaten op. 5 unter besonderer Berücksichtigung der "Passagio-Orgelchoräle" und der langsamen Konzertsätze /Sackmann, Dominik, January 2000 (has links)
Diss.--Phil. Fak.--Zürich, 1999. / Bibliogr. p. 170-176. Index.
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Arcangelo Corelli Opera Quinta / Arcangelo Coreli Oprara QuintaKuncl Štillerová, Martina January 2015 (has links)
Diploma thesis is focused on the personality of the Arcangello Corelli and his contribution on the field of musical forms and violin. Work is divided into three chapters. In the first chapter I describe Arcangelo Corelli ´s life in a historical context.In the second chapter I focus on musical forms whose development contributed Corelli and I also give a concentration on individual works. The third chapter is devoted to the field of issue of the ornamentation of 17th and 18th century as well as Corelli´s fifth opus, which is an indispensable source of knowledge to period - style ornamentation.
I hope this work will serve as a source of information not only about extraordinary composer, but also contribute to clarify the issue of ornamentation of 17th 18th century which is still an area somewhat elusive for many musicians.
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A Comparison of Formal and Structural Principles in the Concerti Grossi of Corelli's Opus VI and Vivaldi's Opus IIIHart, Euclid August 08 1900 (has links)
The comparison of structural and formal traits in the concert grossi of Corelli's Opus VI and Vivaldi's Opus III will proceed in the following manner: first, the cycle as a whole will be taken up; next, the individual movements will be considered. Finally, in each instance of comparison, Corelli's music will be dealt with first.
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Structure and technique of the variation genre in selected violin sonatas of Corelli, Locatelli and TartiniKwon, Yongsun, 1974- 10 August 2011 (has links)
Not available
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Structure and technique of the variation genre in selected violin sonatas of Corelli, Locatelli and TartiniKwon, Yongsun 28 August 2008 (has links)
Not available / text
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