Texte trad. et remanié de: Th. doct.--Lettres--Paris 4, 1991. / Bibliogr. p. 233-254.

Maîtrise--Histoire de l'art moderne--Montpellier III, Université Paul Valéry, 2004. / Bibliogr. p. 182-189.

Reproduction de : Thèse de doctorat : cLittérature médiévale : Paris 4 : 2006. / Titre provenant de l'écran titre. 951 références bibliographiques.

Thesis (M.F.A.)--Kent State University, 2009. / Title from PDF t.p. (viewed Nov. 30, 2009). Advisor: Sharron Campbell. Keywords: costume design; Three Sisters; Chekhov Includes bibliographical references (p. 94-95).

The Costume History Digital Archive was created to sustain the costume history 35mm slide collection from the department of Theatre & Dance, and make it accessible to the University community at large. It is a flexible, living archive that I leave as my legacy to the University of Texas at Austin. Following are instructions of both how to use it and how to maintain it. / text

In the fall of 1971, this writer undertook a creative project in costume design for the play Macbeth and met with the director to discuss the production concept. The director specified his particular costume requirements, and the designer researched the late eleventh and twelfth centuries to determine salient features of the historic dress. The designer again conferred with the director, and a collaboration of ideas resulted in costumes primarily reflective of the late eleventh and late twelfth centuries. During production in April of 1972, a committee of faculty members and students evaluated the costumes, which were judged favorably. Specific reference has been made to the validity of costume evaluations in general, and recommendations for future projects in costume design have been discussed.

Thesis (M.F.A.)--Rochester Institute of Technology, 1991. / Typescript. Includes bibliographical references (leaf [13]).

Inaug.-diss.--Munich. / "Literaturverzeichnis": p. 47-48.

Texte trad. et remanié de: Th. doct.--Lettres--Paris 4, 1991. Titre de soutenance : Le vocabulaire du costume et de la toilette chez Gil Vicente. / Bibliogr. p. 233-254.

Thesis (BTech (Fashion Design))--Cape Peninsula University of Technology, 2010 / In the 19th and 20th Century, products were manufactured with little concerns for the environment. The result of this was an over flowing of low quality products and a high elimination rate, especially in the fashion industry where constant change is the nature of the business. Particularly in bridal wears, the sustainability is deficient and practicality is limited. bridal garments would only be worn once and are usually highly priced. The purpose of this research is to explore whether consumers are willing to contribute and make a difference to our environment by opting for versatile bridal wear. In order to obtain information regarding the bridal industry of Cape Town. a qualitative approach was applied to ensure that the end products will meet customer needs. Store visits and informal interviews were used as the primary methods. and Internet and magazines were used as secondary methods to gain relative information about the market. The information collected. regarding modem women's opinions on the concept of an interchangeable bridal range, current fashion trends and the concept of Slow Design, forms the foundation to the development of my range - versatile bridal wear. The entire range consists of 14 garment pieces that are interchangeable to form 6 or more looks. This allows the wearer to dress up according to their desires. As a result, these dresses are reusable and thus overcoming the problem of costly garments. which are only worn once.