It was Woodrow Wilson who played the dominant role in the Council of Four. With his dedication to the vague, often contradictory Fourteen Points, and with the power of the office of President of the United States supporting him, he determined the very nature of the treaty. Wilson's use, and misuse, of his influence over his colleagues makes him responsible for much of the final form of the Treaty of Versailles.

This thesis is a retrospective analysis of British social realism. It combines conventional academic research with professional screenwriting practice in the genre. By definition, at its advent Social Realism employed documentary realist devices to explore the inequalities of society with the objective of stimulating socio-political debate about this imbalance and thus social reform. However, contemporary forms of social realism have emerged much more depoliticised, drawing on similar subject matter but using decontextualised narrative strategies. The commitment to truth now seems to consist of an aesthetic, as opposed to a sociological imperative.