Since 1940, Taiwan has carried out the Local-self Goverment system, Township¡]Country/Town/City¡^has been the front line status of local authority. Because the Constitution does not expressly protect the autonomous status, together with the practical operation of manipulation of local factions and the drawbacks of corruption, as well as the lack of people, money, lack of influence of factors such as the right, resulting in poor functional autonomy, therefore the cancellation of legal status, and that the abolition of self-government elections have been put forward, and caused heated discussion and debate from all walks of life, due to support and oppose the two factions has its own rationale, controversy over the years has not yet come to a conclusion. In this paper, analysis of the Department to collect the relevant papers, periodicals, books, letters Release Act, the meeting information, network information, such as newspapers and magazines as a source of research data and study the use of the rule of law, historical research, secondary data analysis based supplemented by participant observation method of research methods, to be on view. The present paper is divided into five chapters. The first chapter includes introduction, background studies, the motive, the goal, the research framework and the method on this article. The second chapter deliberates origin, the localization and the connotation and the law transformation of the township autonomous status of Autonomous bodies. The third chapter analyzes and explains the design, the implementation and the development of Autonomous bodies. The fourth chapter focuses on the form, the argument of the system, the populace view and analysis of system transformation. The fifth chapter, a conclusion, provides an outcome of the studies, and attempts to propose a strategic solution to the question that has been brought up.

Neste trabalho, proponho-me examinar a obra de Jõao Guimarães Rosa (principalmente Grande Sertão: Veredas e alguns contos) em relação com as obras mais reconhecidas de outros escritores junto com os quais conformaria o grupo que José María Arguedas denomina escritores provincianos: Juan Rulfo, o próprio Arguedas e, embora menos próximo a eles, García Márquez. Além destes autores, examino sua relação com Augusto Roa Bastos, autor que a crítica posterior a Arguedas inclui entre os provincianos. Analisa-se por que estes escritores se apresentam como humildes camponeses, vaqueiros ou índios que não gostam dos intelectuais e escrevem obras que parecem narradas por um membro das culturas fundamentalmente orais de suas regiões de origem. Aponta-se que o objetivo dos provincianos é fazer surgir a província no literário em uma escrita que tem como destino a cidade, em resposta aos processos de modernização que parecem condená-la a desaparecer. Avalia-se o que fica dessa resposta, sugerindo-se que pode ser uma ruína. Na análise sobre a proposta narrativa dos provincianos são consideradas diferentes interpretações dedicadas a esse tema, desde os estudos clássicos de Ángel Rama e Antonio Candido até alguns textos que questionaram esses estudos, como os de Alberto Moreiras e Idelber Avelar. / In this dissertation, I examine the relationship between the work of Jõao Guimarães Rosa (especially Grande Sertão: Veredas and some of his short stories) and that of other writers called \"provincianos\" by José María Arguedas: Arguedas himself, Rulfo, and, to a lesser extent, García Márquez. In addition to these authors, I examine Guimarães Rosa in relation to Augusto Roa Bastos, an author who would later be included in the group of \"provincianos\" by some critics following Arguedas. The dissertation analyzes why these writers describe themselves as humble cowboys, peasants, or natives who dislike intellectuals and who write works that appear to be narrated from a \"provincial\" point of view. The aim of the \"provincianos\" is to make the hinterlands appear in the literary, in writing addressed to the city, in reaction to the modernization process that seems to condemn the cultures of those regions to disappear. Furthermore, the dissertation evaluates what remains of that response, indicating that it may be a ruin. In the analysis of the work of the \"provincianos\", different interpretations of the subject are considered. From the classic studies of Ángel Rama and Antonio Candido to the texts of critics who have questioned those studies, such as Alberto Moreiras and Idelber Avelar.

Neste trabalho, proponho-me examinar a obra de Jõao Guimarães Rosa (principalmente Grande Sertão: Veredas e alguns contos) em relação com as obras mais reconhecidas de outros escritores junto com os quais conformaria o grupo que José María Arguedas denomina escritores provincianos: Juan Rulfo, o próprio Arguedas e, embora menos próximo a eles, García Márquez. Além destes autores, examino sua relação com Augusto Roa Bastos, autor que a crítica posterior a Arguedas inclui entre os provincianos. Analisa-se por que estes escritores se apresentam como humildes camponeses, vaqueiros ou índios que não gostam dos intelectuais e escrevem obras que parecem narradas por um membro das culturas fundamentalmente orais de suas regiões de origem. Aponta-se que o objetivo dos provincianos é fazer surgir a província no literário em uma escrita que tem como destino a cidade, em resposta aos processos de modernização que parecem condená-la a desaparecer. Avalia-se o que fica dessa resposta, sugerindo-se que pode ser uma ruína. Na análise sobre a proposta narrativa dos provincianos são consideradas diferentes interpretações dedicadas a esse tema, desde os estudos clássicos de Ángel Rama e Antonio Candido até alguns textos que questionaram esses estudos, como os de Alberto Moreiras e Idelber Avelar. / In this dissertation, I examine the relationship between the work of Jõao Guimarães Rosa (especially Grande Sertão: Veredas and some of his short stories) and that of other writers called \"provincianos\" by José María Arguedas: Arguedas himself, Rulfo, and, to a lesser extent, García Márquez. In addition to these authors, I examine Guimarães Rosa in relation to Augusto Roa Bastos, an author who would later be included in the group of \"provincianos\" by some critics following Arguedas. The dissertation analyzes why these writers describe themselves as humble cowboys, peasants, or natives who dislike intellectuals and who write works that appear to be narrated from a \"provincial\" point of view. The aim of the \"provincianos\" is to make the hinterlands appear in the literary, in writing addressed to the city, in reaction to the modernization process that seems to condemn the cultures of those regions to disappear. Furthermore, the dissertation evaluates what remains of that response, indicating that it may be a ruin. In the analysis of the work of the \"provincianos\", different interpretations of the subject are considered. From the classic studies of Ángel Rama and Antonio Candido to the texts of critics who have questioned those studies, such as Alberto Moreiras and Idelber Avelar.

La dissertazione si pone due principali obiettivi: la ricostruzione della biografia della scrittrice settecentesca Clara Reeve e la presentazione della sua vasta produzione letteraria nella quale l'autrice sperimenta diversi generi, dalla poesia (Original Poems on Several Occasions) al saggio di critica (The Progress of Romance), dal romanzo gotico e storico (The Old English Baron, Memoirs of Sir Roger de Clarendon) al romanzo pedagogico-sentimentale (The Two Mentors, The School for Widows, Plans of Education, The Exiles, Destination), cimentandosi in svariate tecniche espressive quali l'epistolario, il dialogo e la conversazione, il memoriale. Le opere sono state affrontate seguendo principalmente l'ordine cronologico al fine di valorizzare le peculiarità di ciascuna e al contempo rappresentare il processo di maturazione della scrittrice. Ne deriva una monografia inedita che pone particolare enfasi sul contesto storico e sull'ambiente culturale in cui le opere fecero la loro apparizione al fine di comprendere meglio i processi di ricezione presso i lettori e i critici coevi. Chiudono lo studio tre importanti appendici: la prima fornisce i contenuti delle opere reeviane in sintesi; la seconda propone l'integrale trascrizione dai manoscritti della corrispondenza di Clara Reeve a Joseph Cooper Walker; la terza offre una consistente documentazione fotografica. / The dissertation focuses on two main objectives: the reconstruction of Clara Reeve's fragmentary biography and the presentation of this eighteenth century authoress' literary production in which she attempts different literary genres, from poetry (Original Poems on Several Occasions) to the essay (The Progress of Romance), from the gothic and historical novel (The Old English Baron, Memoirs of Sir Roger de Clarendon) to the sentimental and didactic novel (The Two Mentors, The School for Widows, Plans of Education, The Exiles, Destination), experimenting different forms such as the epistle, the dialogue and the memoir. The analysis of the text is based on a chronological perspective in order to emphasize the peculiarity of each work and simultaneously to present the progress of an artist. The result is an unprecedented monograph which stresses the historical context and the cultural environment in which Clara Reeve's works appeared so as to understand the dynamics of her public and critical reception. Three important appendixes close the dissertation: the first offers the plots of the works; the second proposes the full text transcription from the manuscripts of Clara Reeve's letters to Joseph Cooper Walker; the third collects documents and illustrations.