Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-01-12T13:11:30Z No. of bitstreams: 1 BrunoDaCostaFerreira_DISSERT.pdf: 924041 bytes, checksum: a891b2da7b0da72e2ba82f82eb64a666 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-01-13T15:46:50Z (GMT) No. of bitstreams: 1 BrunoDaCostaFerreira_DISSERT.pdf: 924041 bytes, checksum: a891b2da7b0da72e2ba82f82eb64a666 (MD5) / Made available in DSpace on 2017-01-13T15:46:50Z (GMT). No. of bitstreams: 1 BrunoDaCostaFerreira_DISSERT.pdf: 924041 bytes, checksum: a891b2da7b0da72e2ba82f82eb64a666 (MD5) Previous issue date: 2016-07-28 / Esta disserta??o tem como objeto de estudo o romance Levantado do ch?o (1980), de Jos? Saramago (1922-2010), no qual est? demarcado o que ficou conhecido como o estilo saramaguiano. A partir da cr?tica liter?ria marxista, da an?lise do romance enquanto g?nero liter?rio e da rela??o do romance com o mundo ideol?gico que ele habita, demonstra-se que a subvers?o ideol?gica est? presente na narrativa n?o apenas no plano sem?ntico, mas tamb?m como elemento estruturador do discurso romanesco de Jos? Saramago (forma), agu?ando o g?nero como arma e instrumento de humaniza??o. Para introduzir o debate sobre a cr?tica liter?ria marxista e seus pressupostos te?rico-metodol?gicos, s?o explorados os estudos de Leon Trotski, Mikhail Bakhtin, Terry Eagleton, Raymond Williams e Antonio Candido. Delimita-se o conceito de ideologia a ser explorado na fundamenta??o te?rica atrav?s das leituras de Raymond Williams, Marilena Chaui, Alfredo Bosi, Mikhail Bakhtin, Karl Marx e Friedrich Engels. O romance enquanto g?nero liter?rio ? abordado a partir das perspectivas de Mikhail Bakhtin, Georg Luk?cs, Theodor Adorno e Julio Cort?zar. O romance saramaguiano ? localizado no interior do sistema liter?rio portugu?s a partir da an?lise cr?tica de Carlos Reis. / This work has as study object the novel Levantado do ch?o (?Raised from the ground? - English official translation) (1980), by Jos? Saramago (1922-2010), which is demarcated how became known the saramaguiano style. From the Marxist literary criticism, the novel analysis as a literary genre and the novel relationship with the ideological world he inhabits, it is shown that the ideological subversion is present in the narrative not only in the semantic level, but also as a structural element novelistic discourse of Jos? Saramago (form), sharpening the genre as a weapon and humanizing instrument. To introduce the debate on Marxist literary criticism and its theoretical and methodological assumptions are exploited studies of Leon Trotsky, Mikhail Bakhtin, Terry Eagleton, Raymond Williams and Antonio Candido. Delimits the concept of ideology to be explored the theoretical foundation through the readings of Raymond Williams, Marilena Chaui, Alfredo Bosi, Mikhail Bakhtin, Karl Marx and Friedrich Engels. The novel as a literary genre is approached from the perspectives of Mikhail Bakhtin, Georg Lukacs, Theodor Adorno and Julio Cort?zar. The saramaguiano novel is located inside the Portuguese literary system from the critical analysis of Carlos Reis.