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An analysis of Paul Creston's Sonata for E-flat alto saxophone and piano.Eckers, Roger Bruce. January 1966 (has links)
Thesis (M.A.)--University of Rochester, 1966. / Bibliography: leaf 87. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/1881
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Interpreting the Rhythmic Structures of Paul Creston as Applied in the Six Preludes for Piano, Op. 38 and the Sonata for Saxophone and Piano, Op. 19Leone, Carol (Carol S.) 08 1900 (has links)
The general purpose of this paper is the discussion of the interpretation and performance of rhythm within the context of Paul Creston's five rhythmic structures. Specific objectives are to bring to light Creston's unique rhythmic terminology, theories, and structures; and to interpret rhythm at the piano with an emphasis on accent, pedaling, articulation, balance of textures, and pace.
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