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Der Richter und der Gerechte in Dürrenmatts DramenSchlichtherle, Helga 01 July 1968 (has links)
In each of Friedrich Dürrenmatt’s ten plays that appeared between 1946 and 1965 there are two protagonists. One of them is powerful and egocentric, strives for fame and power and challenges the world. To destroy his rivals he becomes a 'Judge', sometimes even an executioner. His antagonist is humble and pious, believes in God, and considers life as God’s gift. Christian ethics determine his decisions. He is the 'Righteous'. Dürrenmatt’s work divides into four periods which reflect the author’s times and beliefs. The first three plays (Es steht geschrieben, Der Blinde, Romulus der Grosse show hope for a better world after the horrors of World War II. The 'Righteous' resists the temptations of the 'Judge' and re establishes Christian values. The second phase of Dürrenmatt’s work is a period of expectation for a better world. The 'Righteous' becomes more worldly, no longer prays, but lives in the confidence that God exists. The 'Judge' becomes more powerful and unrestrained. (Die Ehe des Herrn Mississippi, Ein Engel kommt nach Babylon, Herkules und der Stall des Augias). The third group reflects disillusionment. The hopes and expectations of the first post-war years were disappointed. Only in a crisis does the 'Righteous' gain insight into the divine order of the world; the 'Judge' gains superhuman powers and plans to destroy mankind. (Der Besuch der alten Dame, Frank der Fünfte, Die Physiker). Dürrenmatt’s last play to date (published in 1965), Der Meteor, depicts an inhuman egocentric who by his mere presence destroys all men around him. The 'Righteous' is expelled from a world which is ruled by the arbitrary power of the 'Judge' and where God is dead. The moral of Dürrenmatt’s work is that man should return to humility under God.
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Transgressing boundaries : hybridity in Zhang Ailing's writing and its multidimensional interpretations in contemporary ChinaWang, Yuan, 1977- January 2006 (has links)
No description available.
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Etude stylistique des romans d'Emile AjarFortier, Dominique, 1972- January 1997 (has links)
No description available.
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The tickled underbelly : Peter Greenaway and the aesthetics of ambivalenceJenkins, Brad. January 2000 (has links)
No description available.
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Hornswogglers, whangdoodles and other dirty beasts : the comic grotesque in Roald Dahl's writings for childrenSzuber, Maria. January 1999 (has links)
No description available.
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San-Antonio : le carnaval moderneAubertin, Marie-Andrée. January 1997 (has links)
No description available.
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Mythocritique des Contes de Jacques FerronCaumartin, Anne. January 1998 (has links)
No description available.
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La volonté de puissance dans l'œuvre romanesque de Réjean Ducharme /Langlois-Benghozi, Marielle January 1976 (has links)
No description available.
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Jacques Ferron, poèteGagné, Geneviève January 2002 (has links)
No description available.
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Certain preoccupations : the progression toward Catholic orthodoxy in the work of Flannery O'ConnorFlannery, Melissa C. January 1979 (has links)
No description available.
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