Thesis (M. Soc. Sc.)--University of Hong Kong, 1984.

Musical labor entered a new phase of alienation following the advent of recording technology in the late 19th century. Whereas prior to recording musicians had a relatively direct relationship with their audience—the sum of the two groups constituting “musicking”—sound reproduction created a spatial and temporal dislocation between them. Most narratives of American popular music trace out a particular genre formation, and relate it to the culture from whence it emerged. By contrast, this dissertation begins from the point where musicking began to disengage from commodification, both at the level of social formation and of the creation of sound itself. Drawing on anthropologist Pierre Clastres’ notion of “Anti-State” modes of organization and cultural critic Ivan Illich’s concept of “conviviality,” or a human-centered rather than mass production-oriented use of tools—in this case musical instruments both handmade and modified—each chapter of this project tackles a different dimension of the quest for autonomous musicking, or a “permanent underground.” Chapter 1 examines the organizational principles that have run in parallel to the bureaucratic, capitalist manifestation of a “music industry” in the 20th century. Beginning with a critique of either/or fallacy of the opposition posited between “modernism” and “nostalgia,” the reminder of the chapter demonstrates the reconciliation between these two aesthetic and political positions; topics include the seizure of public space by itinerant blues musicians in the rural-industrial prewar South, the self-released recordings of gospel artists after WWII, the formation of experimental jazz collectives in the 1960s, and the relationship between psychedelic music and cults/communes in the 1960s. Chapter 2 critiques the function of genre in musicking as means to a reproducible sonic commodity, and argues for “noise” as an aesthetic intervention that disrupts the saleable nature of music—a political act in itself. Chapter 3 suggests several strategies for achieving “noise.” These include the re-purposing of industrial machines as musical instruments, the incorporation of foreign musical traditions, and the use of collage as a formal principle. The final chapter profiles six collectives that have emerged since the late 1960s that adhere to the aesthetic and political values established throughout this dissertation. / text

Past research has indicated that controlling parenting practices may impede children’s learning motivation, while autonomy-supportive practices may facilitate learning outcomes (Grolnick, Ryan, & Deci, 1991). However, these findings may not be applicable to all cultures. Chinese mothers appear to be controlling (Chao & Tseng, 2002) but Chinese children outperform their Western counterparts in international comparisons (PISA, 2009). The present study addressed this paradox by investigating four postulations. First, given the greater emphasis of obedience and compliance in collectivistic culture as opposed to the uphold of independence and autonomy in individualistic culture (Markus & Kitayama, 1991), Chinese children were anticipated to perceive the same maternal controlling behavior as less manipulative than American children. Second, given the effect of mother-child relatedness on children’s motivation in empirical studies (e.g. Bao & Lam, 2008; Furrer & Skinner, 2003), regardless of culture, children high in relatedness with their mothers were anticipated to perceive the maternal behaviors as less manipulative than those low in relatedness. Third, in line with self-determination theory (SDT; Deci & Ryan, 2000), internalization was anticipated to mediate the association between relatedness and motivation in both cultures. Fourth, to investigate the limit of internalization, two levels of maternal controlling behaviors were presented. Chinese children were anticipated to perceive the low level of controlling behavior as less manipulative than American children. In contrast, both Chinese and American children were anticipated to perceive the high level of controlling behavior as manipulative since the behavior may be too controlling to be internalized by children. The participants were 120 Hong Kong Chinese 5th graders and 120 American 5th graders. They were asked to complete a questionnaire that included measures of children’s feelings towards low vs. high levels of maternal controlling behaviors, mother-child relatedness, children’s internalization and learning motivation. The results showed that the same maternal controlling behaviors elicited different feelings in children with different cultural backgrounds (Chinese vs. American) and different levels of mother-child relatedness (Low vs. High). Consistent with Hypothesis 1, Chinese children perceived the high level of maternal controlling behaviors as less manipulative than American children and in turn reported more motivated in learning. Consistent with Hypothesis 2, children in both cultures who reported high relatedness with mothers perceived the behaviors as less manipulative than those reported low relatedness. Consistent with Hypothesis 3, internalization was found to mediate the relation between mother-child relatedness and children’s learning motivation in both cultures. Contrary to Hypothesis 4, Chinese and American children perceived the low level of maternal controlling behavior similarly as not manipulative, whereas, American children perceived the high level of maternal controlling behavior as more manipulative than Chinese children. The limit of internalization could not be identified and further studies are needed. In short, the findings reveal cultural differences in children’s feelings towards the same maternal controlling behaviors. Chinese mothers’ behaviors that are manipulative in the eyes’ of the Westerner may not be perceived as such by the Chinese. Children’s perceptions, mother-child relatedness and the universal psychological mechanism internalization are important to understand Chinese Parenting Paradox. / published_or_final_version / Psychology / Master / Master of Philosophy

Not available / text

Not available / text

This thesis describes and interprets furniture produced in Ceylon (Sri Lanka) between c. 1800 and 1900 as part of a cultural 'dialogue' of everyday objects between Europe and Asia. By synthesizing the research methods of furniture history and material culture, the present work examines Ceylonese furniture within the context of the society in which it was produced and used. For the first time, the range of furniture produced on the island during the nineteenth century is categorized and defining characteristics of such furniture are outlined. In addition, and again for the first time, consumption of furniture in Ceylon during this period is examined and the place of these artefacts within the production of Western cultural practices is explained. Specifically, this thesis also contributes to an understanding of the history of Ceylon by interpreting the acquisition and use of western-style furniture by the indigenous social elite as part of the production of anglicized life-styles on the island. The present work contributes to debates centred on colonialism and culture by historicizing and localizing the furniture of the island. Such furniture, it is argued, in addition to its use value, reproduced European refinement and civility in the domestic interiors of Ceylon; in this way furniture, despite its quotidian nature, is taken to be expressive and constitutive of the colonial relationship between the British and Ceylonese. Through analysis of archival data, examination of the furniture itself and interpretation of the communicative capacities of these artefacts, explanation of the empirical and symbolic is combined in a new understanding of a substantial, but overlooked, part of the object-world of nineteenth century Ceylon. Through the process of developing and using a new conceptual framework for the interpretation of colonial furniture produced in Asia, a contribution is made to the study of furniture history and, more specifically, items of furniture from Ceylon are interpreted as materializations of human behaviour and constitutive elements in the production of culture.

There have been fewer studies performed to understand real-world software-testing practice than for other areas of software engineering, such as software requirements, design and development. In particular, surprisingly little is known about global software-testing practices---the practice of outsourcing testing activities to a company offshore---which is currently a large industry and is continuing to grow rapidly. Hence, it is important to study this practice. Moreover, research and anecdotal records provide evidence suggesting that cultural factors greatly impact aspects of the global software-engineering practice (e.g., quality and productivity). The evidence indicates that culture appears to have a greater influence on global software-engineering practice than originally envisioned. Thus, it is important to understand culture's influence particularly on the global-software testing practice. Most of the global software practice studies have used the cultural-dimensions (e.g., Hofstede's dimensions) approach to understand culture’s influence on this practice. However, such dimensional perspectives of culture significantly limit the meaning of culture. Hence, it is important to study culture's influence on global software-testing practice by adopting a non-dimensional perspective of culture so that hidden cultural facets can be identified and uncovered. In this dissertation research, I conducted three ethnographically-informed studies at different Indian vendor organizations, who provided software-testing services to their respective clients in a global setting, to better understand what and how cultural factors influence the global software-testing practice. I used the “culture as models” perspective, adapted from the cultural anthropologist Bradd Shore, to analyze the data from these studies. The dissertation provides a detailed description of the study design, the data analysis, and the insights that emerged from the study. The study provided insights into four embedded cultural models that have emerged from this practice---Agreement, Trust, Flexibility, and Global Software Delivery Cultural Models -- which are described and discussed in detail. This dissertation makes the following contributions. First, it describes a framework that facilitates conducting culture-based studies in the global software- engineering domain. Second, it exposes significant cultural models that are embodied in the specific global software-testing practices investigated to better understand the affordances and clashes of cultural facets of such practices more widely. Third, it presents a ``thick description'' of the role and interplay of these cultural facets in the global software-testing practices investigated. Finally, based on the study insights, the dissertation provides implications for practice and future research.

This comparative study of the corporate public relations strategies of the nuclear industry in the U.S. and Britain, specifically of Florida Power & Light (FP&L) in Florida and Scottish Nuclear Limited (SNL) in Scotland, examines the use of visitor centres and environmental messages as key components of advocational campaigns designed to influence public opinion and shape public policy in favour of a pro-nuclear agenda. The study would seem to confirm other research that draws a direct relationship between the function of public relations in an organisation and the degree of input by public relations into corporate policy-making. Moreover, the data also suggest that, given a prominent role within an organisation, public relations can and does develop strategies and programmes to pro-actively manage emerging strategic public policy issues in direct support of organisational objectives Such programmes, as the study reveals, have been designed specifically around visitor centres as communication vehicles for corporate pronuclear messages, carried directly to key publics without gatekeeping by the mass media. Moreover, it would appear that the nuclear industry has been intentionally 'greening' its corporate messages so as to capitalise upon the public's growing concern about the environment. The study also suggests that the nuclear industry is using such centres, as well as newer, emerging advocational initiatives, in a fully promotional sense to circulate and thereby enhance the reputation of the industry. A comparative analysis of corporate nuclear public relations in the U.S. and Britain suggests a 'cross-national' exchange of intelligence, and in some respects, an outright collusion of efforts. Moreover, it would seem that there exists a further government-industry alliance both within the U.S. and Britain as well as trans-Atlantically. This alliance represents a convergence of government and industry interests in the development of nuclear energy for military and civilian purposes, and further illustrates earlier research of collusion among politicaleconomic elites and the over representation of corporate interests at the expense of unorganised public interests in the government decision-making process. Finally, the study argues that upcoming public policy decisions on the future of nuclear power in each country will be a measure of the effectiveness of pro-nuclear campaigning in achieving its objectives. The public debate on nuclear power will represent a genuine test of the relative health of democracy in both the U.S. and Britain, nation-states in which, military-industry-government interests mostly have had their way as it has concerned nuclear energy.

Not available / text

Identifying simultaneously with the cool 1950s greaser, the punk rebel, and the zombies, murderers, and monsters of horror lore, psychobillies (“psychos”) cobble together an identity that expresses their subcultural subjectivity. They construct and cultivate an alternative present, a participatory culture that offers multiple strategies for relieving the pressures of working-class life, for experiencing pleasure despite hardship. As one research participant put it, “psychobilly is a culture of survival.” This dissertation explores the interwoven, multiple reasons why musicians and fans identify with this alternative, underground culture, tracing the integral role it plays in their lives and the ways in which psychobillies creatively reconstitute aspects of the cultural past in the present. I focus on the advantages that a tight-knit social community confers and on the ways in which various fantasies and lived practices provide transcendental escape as well as feelings of control and power. My research draws both from a long line of cultural studies and from more recent trends in popular music scholarship that focus on musical meaning in everyday life. Accordingly, I employ an ethnographic writing style that privileges the multiple voices and identities of my research associates. / text