This thesis examines Apuleius' techniques and employment of setting, ecphrasis and characterization in the tale of Cupid and Psyche. Although some scholarly work has been done concerning Apuleius' narrative style, it has largely excluded this story and focused rather upon the larger framework of the Metamorphoses. This study is both a re-evaluation of earlier scholarly conjecture as well as a new interpretation and more detailed examination of these narrative devices within a much overlooked segment of Apuleius' novel. The first two chapters comprise an extensive analysis of the author's use of setting and ecphraseis with particular focus upon the following: the structural impact of and the manner in which these two elements are integrated within both Cupid and Psyche and the Metamorphoses as a whole (for example, parallels, links and prefiguration), their vividness or otherwise and how this is portrayed, the methods by which Apuleius employs setting and descriptions to colour mood and atmosphere and point up analogies and/or antitheses, as well as the significance which the two aspects play in conveying major semes and thematic threads throughout the narrative. The latter two chapters focus upon Apuleius' methods of characterization, including an examination of the minor and principal characters' actions, spoken words and thoughts, authorial intrusions and judgements, set descriptions, the significance of names or their absence, antitheses and/or analogies between characters and between characters and their environments. Characters' roles and narrative functions are also examined at length. The analyses have been undertaken in conjunction with both modem narratological methods and traditional classical methods of text analysis. This dissertation furthers knowledge about Apuleius' narrative techniques, and demonstrates his careful attention to structure, style, the impact of characters and the importance borne by set descriptions. It also contributes, therefore, to our knowledge of the ancient novel and narratology in general. / Thesis / Doctor of Philosophy (PhD)

It is the purpose of this thesis to examine the classical allusion in Donne's secular poetry to show that the body of such allusion is more extensive than is generally conceded. More important, this study will evaluate rather than merely catalogue the allusions in order to show ho Donne employs such allusion and in what way his poetic practice as to the employment of classical allusion is different from the practice of his contemporaries. It will be demonstrated that, with very few exceptions, Donne uses the standard myth or allusion as a foundation or departure point from which he then goes on to synthesize the myth and turn it into poetic material that is of special significance to his theme.

<p>This dissertation is a careful study of characterization in the Cupid and Psyche episode (IV.28 - VI.24) in Apuleius’ <em>Metamorphoses</em>. In general, although the <em>Metamorphoses</em> has been the subject of a good deal of scholarly interest as of late, there has previously been minimal focused examination of characterization in the Cupid and Psyche section. This dissertation therefore represents an important contribution to current scholarship and uses a multi-faceted approach which includes investigation of the characters’ relationships to one another, roles, function, speech, intertextual connections, and questions of genre and authorial technique.</p> <p>After a brief discussion of preliminaries such as the scope of the study, methodology, and the isolation of the Cupid and Psyche narrative from the rest of the novel, Chapter One examines the minor characters of the episode. The minor characters are defined and then placed into five groups for analysis: the invisible servants, the personifications of the abstract concepts, the floral and faunal characters, the animate object, and the deities. Chapter Two addresses the role of Psyche’s family in the narrative, covering her parents’ small but important contribution and her sisters in their larger role as Psyche’s secondary adversaries. Chapters Three, Four, and Five investigate the characterization of Venus, Cupid, and Psyche respectively. The Conclusion summarizes the larger picture of Apuleius and his approach to characterization and reviews some of his favorite techniques of characterization, as well as his approach to the characterization of females.</p> / Doctor of Philosophy (PhD)

Thesis (Dissertatio inauguralis)--Breslau, 1875.

Following the path of the use of the Petrarchan sonnet in Renaissance England, this article explores why this specific form was so prevalent from the court of Henry VIII to that of his daughter, Elizabeth I. The article pays specific attention to the works of Sir Philip Sidney, Shakespeare, Richard Barnfield, and Lady Mary Sidney Wroth, paying close attention to social, political, and gender issues of the period.

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Thesis (Th. M.)--Dallas Theological Seminary, 2004. / Includes bibliographical references (leaves 69-71).

Thesis (Th. M.)--Dallas Theological Seminary, 2004. / Includes bibliographical references (leaves [69]-71).

Thesis (Th. M.)--Dallas Theological Seminary, 2004. / Includes bibliographical references (leaves 69-71).