This thesis offers a reinterpretation of radicalism and reform movements in Scotland and British North America in the first half of the nineteenth century by examining the relationship between ecclesiology and political action. It considers the ways in which Presbyterian political theory and the memory of the seventeenth-century Covenanting movement were used to justify political reform. In particular it examines attitudes in Scotland to Catholic emancipation, the Reform Act of 1832, the disestablishment of the national Churches, and the Chartist movement; and it considers agitation in Upper Canada and Nova Scotia for the disestablishment of the established Church and the institution of responsible government. It emphasises the continued relevance of religion in political culture, tracing the survival of the Scottish Covenanting tradition and charting its significance within the wider British empire. It argues that there existed a transatlantic Presbyterian community and that to some degree Presbyterian-inflected radicalism in this period was a North Atlantic phenomenon.

This thesis demonstrates the existence and significance of Jacobitism in the British Atlantic World, c. 1688-1727. Throughout the period under investigation, colonists were increasingly integrated into Britain’s partisan politics, religious controversies, and vibrant public sphere. This integrative process encouraged colonists to actively participate in British controversies. Moreover, this integration was complex and multi-faceted and included elements of a Tory political culture in addition to their Whig counterparts. During this period, colonists increasingly identified themselves and others according to British political and religious terminology. This was both caused and encouraged by imperial appointments, clerical appointments/SPG activity, and an increased consumption of British political news and commentary. All three informed and shaped colonists’ views regarding Jacobitism. In light of these developments, this thesis examines in three case studies colonial manifestations of Jacobitism within a larger British Atlantic context. Taking into account the voluminous recent research on Jacobitism, this examination reveals that there was an identifiable transatlantic Jacobite subculture. This subculture is recognizable by its associations with elements of British culture inextricably linked to Jacobitism: nonjuring, Scottish Episcopalianism, high church Anglicanism, and – increasingly after 1710 – Toryism. These associations were demonstrated by overt expressions of Jacobitism, such as seditious words and celebrations of Jacobite holidays. They are also illustrated by accusations of Jacobitism. This thesis seeks to incorporate Jacobitism into the burgeoning field of Atlantic History and demonstrate the significance of Jacobitism as an important element of a process of colonial Anglicization. This contribution to historical understandings of the Anglicization of the British Atlantic World seeks to encourage discussions between the disparate fields of British and colonial history.

This thesis draws upon evidence from over twenty archives in the UK and US. It uses the context of Liverpool, arguably the ‘second city of empire’ because of its extensive social, economic, and political networks overseas, to enhance knowledge of British imperialism during the American Revolutionary era (1763-1783).Part One analyses the ‘gentlemanly capitalist’ paradigm of P.J. Cain and A.G. Hopkins. In brief, this theory argues that the landed elite and financial-commercial services, concentrated upon the City of London, held sway over British imperial policy-making. This was chiefly because these interests were regarded as being ‘gentlemanly’, or socially acceptable, to the landed elite. In contrast, northern manufacturers were less influential in the imperial decision-making process. By working longer hours and being associated with labour unrest, industrialists were not perceived as being sufficiently gentlemanly by the ruling order. My dissertation tests this theory within the context of the late-eighteenth century. This is an original contribution to knowledge because most, although not all, studies of Cain and Hopkins focus upon later periods. Hanoverian Liverpool is an ideal test case because the town had a mixed economy. It contained a manufacturing base, served a wider industrial hinterland, and, because Liverpool was linked to the Atlantic empire, spawned a mercantile service sector community with interests in commerce and finance. This thesis generally supports Cain and Hopkins, but with some modifications. One of these is to view the late-eighteenth century as a period of emerging gentlemanly capitalism, referred to here as ‘proto-gentlemanly capitalism’. The fact that Liverpool merchants and the local landed elite were not yet fully socially integrated, is one of several reasons why the town lacked success in influencing imperial policy-making between 1763 and 1783.Warfare was synonymous with the Hanoverian empire. Therefore, Part Two expands our knowledge of the empire at home, or how the American War (1775-1783) impacted upon Liverpool economically, socially, and culturally. Previous histories of the economic impact of this conflict upon Liverpool concentrated upon overseas trade, and therefore stressed its negative consequences. However, this thesis looks at both overseas trade and domestic business. It paints a more nuanced picture, and, by using Liverpool as a case study, shows that the impact of warfare upon the UK economy produced mixed results. Finally, this thesis considers the socio-cultural impact of the war upon Liverpool. In the process, it demonstrates that military conflict affected both the northern and southern regions of Britain during the eighteenth century. Militarisation of the local community prompted discussions regarding the boundaries of national and local government. The War of Independence split opinion, thereby revealing divergent trends within British imperial ideology. Finally, on balance, the American War cultivated a ‘British’ national identity in the town (although there were still other identities present).

This thesis, situated between literature, history and memory studies participates in the modern recovery of the long-obscured relations between Scotland and the Caribbean. I develop the suggestion that the Caribbean represents a forgotten 'lieu de mémoire' where Scotland might fruitfully ‘displace’ itself. Thus it examines texts from the Enlightenment to Romantic eras in their historical context and draws out their implications for modern national, multicultural, postcolonial concerns. Theoretically it employs a ‘transnational’ Atlantic Studies perspective that intersects with issues around creolisation, memory studies, and British ‘Four Nations’ history. Politically it insists on an interrogation of Scottish national narratives that continue to evade issues of empire, race and slavery. Moving beyond a rhetoric of blame, it explores forms of acting and thinking in the present that might help to overcome the injurious legacies of the past. Chapters include an examination of pastoral and georgic modes in Scottish-Caribbean texts. These include well-known authors such as James Thomson, Tobias Smollet, James Grainger, Robert Burns; and less well-known ones such as John Marjoribanks, Charles Campbell, Philip Barrington Ainslie, and the anonymous author of Marly; or a Planter’s Tale (1828). Chapters two to four highlight the way pastoral and georgic modes mediated the representation of ‘improvement’ and the question of free, bonded and enslaved labour across Scotland, Britain and the Caribbean in the era of slavery debates. The fourth chapter participates in and questions the terms of the recovery of two nineteenth century ‘Mulatto-Scots’, Robert Wedderburn and Mary Seacole. Bringing ‘Black Atlantic’ issues of race, class, gender, empire and rebellion to the fore, I consider the development of a ‘Scottish-Mulatto’ identity by comparing and contrasting the way these very different figures strategically employed their Scottish heritage. The final chapter moves forward to consider current memorialisations of slavery in the Enlightenment- Romantic period. The main focus is James Robertson’s Joseph Knight (2003) that engages with Walter Scott’s seminal historical novel Waverley (1814) to weave issues of racial slavery into the familiar narratives of Culloden. Robertson also explores forms of solidarity that might help to overcome those historical legacies in a manner that is suggestive for this thesis as a whole.

Widespread popular fascination with America, and an appreciation of American culture, was not introduced by Hollywood cinema during the early decades of the 20th century, but emerged during the late-Victorian period and was driven by the popular press. By the 1880s, newspaper audiences throughout the country were consuming fragments of American life and culture on an almost daily basis. Under the impulses of the so-called ‘new journalism’, representations of America appeared regularly within an eclectic range of journalistic genres, including serialised fiction, news reports, editorials, humour columns, tit-bits, and travelogues. Forms of American popular culture – such as newspaper gags – circulated throughout Britain and enjoyed a sustained presence in bestselling papers. These imported texts also acted as vessels for the importation of other elements of American culture such as the country’s distinctive slang and dialects. This thesis argues that the late-Victorian popular press acted as the first major ‘contact zone’ between America and the British public. Chapter One tracks the growing presence of America in the Victorian press. In particular, it highlights how the expansion of the popular press, the widespread adoption of ‘scissors-and-paste’ journalism, the development of transatlantic communications networks and technologies, and a growing curiosity about life in America combined to facilitate new forms of Anglo-American cultural exchange. Chapter Two explores how the press shaped British encounters with American modernity and created a pervasive sense of a coming ‘American future’. Chapter Three focuses on the importation, circulation, and reception of American newspaper humour. Finally, Chapter Four unpacks the role played by the press in the importation, circulation, and assimilation of American slang. It makes an original contribution to a number of academic disciplines and debates. Firstly, it challenges the established chronology of Anglo-American history; America gained a significant foothold in British popular culture long before the twentieth century. Moreover, this was not a result of a forcible American ‘invasion’ but a form of voluntary transatlantic exchange driven by the tastes and desires of British newspaper readers. Secondly, it argues that America’s presence in late-Victorian popular culture has been underestimated by historians who have focused instead on domestically produced culture, engagements with Western Europe, and the cultural dimensions of Empire. Whilst the full extent of America’s significance cannot be mapped out in one study, this thesis establishes the extent of America’s cultural presence and makes the case for its insertion into future Victorian Studies scholarship. Thirdly, this thesis contributes to the growing field of press history. It maps out connections between British and American newspapers, exploring how the press served to move information between the old world and the new. Finally, this project acts as an early example of born-digital scholarship; a study conceived in response to the development of digital archives. As such, it contributes to discussions on digital methodologies and debates within the field of Digital Humanities. In particular, it demonstrates that digitisation allows researchers to research and write do new kinds of history; to ask new questions, make new connections, and develop new projects – to do things that we couldn’t do before.