The research covered quite a bit of territory with the simple objective - to 'break free' of the 'risk' of continuing architectural patterns in practice through and beyond mid career. On reflection I identified four stages within the history of my practice covering three disciplines; art, architecture and the political economies relation with urban geography. I was hoping to tie these together in a more coherent way and write reflectively to deepen those relations. I declined practicing architecture (late 2003-2006), inflamed an old love affair with 'fine art' and curated sound-art events, designed art-theatre-performance works and installations, continued free-prose writings and visited specific Australian and aboriginal (continent) places and adjacent world destinations. I consolidated the 'art studio' within and returned to architectural practice by 2007. The dissertation about this 'episode of behavior' galvanised many insights into time and the illusive and expansive nature of deep-space. And engaged understanding death in an unusual and liberating way, which ran an exponential affirmation through and beyond life as we know it. Though abstract, these thoughts (and journeys) began to mould ideas for projects within an understood 'complexity'. This assisted my desire for 'the simplicity of elegance' - in everything, and specifically fortified arguments for a multivalent kind of architecture.