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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Luigi Dallapiccolas Bühnenwerk Ulisse : Untersuchungen zu Werk und Werkgenese /

Hees, Julia van. January 1994 (has links)
Diss.--Köln, 1993. / Bibliogr. p. 307-317.
2

A stylistic analysis of selected twelve-tone works

Gould, Glen Hibbard, January 1964 (has links)
Thesis--Indiana University. / Vita. Includes bibliographical references.
3

Die tonale aspekte in die toonreekse van Dallapiccola se seriele komposisies

Snibbe, Chantal. January 2004 (has links)
Dissertation (M.Mus(Uitvoerende Kuns))-Universiteit van Pretoria, 2004. / Summary in English and Afrikaans. Includes bibliographical references. Available on the Internet via the World Wide Web.
4

The vocal chamber style of Luigi Dallapiccola from 1942 to 1964

Sauerbrei, Patricia Margaret January 1973 (has links)
The following thesis is primarily analytical in nature and deals with four aspects of Dallapiccola's vocal chamber style under the headings: I A Summary of Texture and Orchestration II Formal Considerations III A Study of the Serial Structure IV Text-Setting. Seven song cycles are investigated under each of these areas so that a line of stylistic continuity can be traced from the earliest (1942) through the most recent work studied (1964). The works are: Liriche Greche, Rencesvals, Quattro Liriche di Antonio Machado, Tre Poemi, Goethe-Lieder, Cinque Canti, and Parole di San Paolo. The supposition of continuity is borne out by the examples presented. These show that particularly in the case of formal and serial construction, Dallapiccola chooses a basic pattern or formula (a tri-partite design, a semi-combinatorial series) and creates with it new works with ever-fresh imagination. In his text-setting he is extremely concerned with comprehensibility and expression, for without these he sees little value in the technical means employed. Introducing the topic is a resume of Dallapiccola's musical development up to the time of his adoption of the twelve- tone system. The Conclusion presents evaluations of the composer by various authors, and relates the information given in the body of the thesis to Dallapiccola's personal ideas regarding the function of art. / Arts, Faculty of / Music, School of / Graduate
5

Row construction and accompaniment in Luigi Dallapiccola's Il Prigioniero

Waggoner, Dori T. January 2007 (has links)
Thesis (M.M.)--University of Missouri-Columbia, 2007. / The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on April 4, 2008) Includes bibliographical references.

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