This thesis examines the development, production and function of dress pins in Anglo- Saxon England. It proposes a dated typology for the mid-5th to the mid-llth century and notes the implications of this for discussions of contact and cultural interaction between England and other parts of Europe. Chapter 1 defines the parameters of the study, and describes the data that was assembled on Anglo-Saxon pins. An evaluation of the previous work on pins from Northern Europe (Chapter 2) is followed by an investigation in Chapter 3 of the methods and process of typological analysis. After arguing that one of the most important (and neglected) aspects of typological research is 'the process of study1 the chapter provides terminological definitions for the components of pins. Chapter 4 examines the problems, principal methods and developments in pin production and discusses how changes in method reflected changes both in fashion and metalworking techniques. Building on this, Chapter 5 defines the groups of pins that have been found on sites of the Anglo-Saxon period, including: (1) definition of the types and sub-types; (2) determination of their date ranges; (3) description of their distribution; and (4) suggestions about the origin of each type. In Chapter 6 the types are put into chronological order, to demonstrate which types existed simultaneously and how pins developed over time. The function of pins is considered in Chapter 7 and several tentative hypotheses are put forward. The final chapter draws a number of conclusions from the study including: (1) Anglo-Saxon pins display a great deal of insularity during all periods, but particularly in the 8th and 9th centuries; (2) while regionalism may have been a feature of 6th century pins, it ceases to be important by the 8th century when many finds from middle Saxon trading sites seem consistently to be the same types, suggesting that in addition to trade between England and the Continent and Scandinavia it is time to evaluate the micro-economic and information exchange networks in Anglo- Saxon England; (3) lastly it notes the problem of dissemination of artefactual analyses and the difficulties to be encountered in using typologies and it puts forward a preliminary proposal for the use of expert systems (computer programs that simulate human performance in specialist task areas) as a tool to distribute this information. An example of a knowledge base that might be used to disseminate the typology presented here, The Anglo-Saxon Pin Identification Assistant, is to be found in Appendix 2, as are several sample identification sessions.

<p> This dissertation is comprised of three essays that explore the connections between buildings and their impacts on outcomes associated with occupant health. The essays are: 1. The Effect of Certified Green Office Buildings on Occupant Health: A Systematic Review and Meta-Analysis, 2. Understanding Evidence-Based Design Through a Review of the Literature, 3. Future Directions for Evidence-Based Design in Health Care Facilities.</p><p> Essay one, entitled The Effect of Certified Green Office Buildings on Occupant Heath: A Systematic Review and Meta-Analysis, explores the connections between certified green office buildings and their impacts on occupant health via the application of a systematic review and meta-analysis. An extensive literature search was conducted to locate any studies that examined the health of occupants in conventional buildings versus the health of the same populations after a move into a certified green building. The literature review followed the Cochrane Collaboration protocol for conducting systematic reviews. The results of a meta-analysis of the two studies uncovered by the systematic review show a positive relationship between certified green office buildings and improved occupant health (SMD 1.09), yet there was insufficient power (CI -0.88, 3.05) to prove causality.</p><p> Essay two, entitled Understanding Evidence-Based Design Through a Review of the Literature, relates the current understanding of the concept of Evidence-Based Design (EBD), as specifically related to health care facilities, through the vehicle of an annotated bibliography of the relevant literature. EBD lacks a universally agreed upon definition, but one of the stronger definitions from the architecture discipline states that evidence-based design is a process for the conscientious, explicit, and judicious use of current best evidence from research and practice in making critical decisions, together with an informed client, about the design of each individual and unique project. The outcomes of primary concern with health care facilities tend to fall into three categories&mdash;patient/family outcomes, staff outcomes and fiscal outcomes.</p><p> The thirty-one annotated articles reveal that the concept of EBD is quite complex, especially as it relates to the gathering and assessment of data and how such data is used to inform the building project. The bulk of the complexity lies with the word `evidence.' The current literature suggests disparity among researchers and practitioners over the collection, assessment and incorporation of evidence related to the collection, analysis and incorporation of evidence into building projects that seek to have a positive impact on the three main outcome categories of interest in healthcare facilities&mdash;patient outcomes, staff outcomes and fiscal outcomes.</p><p> Essay three, entitled Future Directions for Evidence-Based Design in Health Care Facilities, anticipates the future of evidence-based design as related to the design and construction of health care facilities. Reimbursement policies are driving health care to include more community based and customer services oriented delivery models. Pay based on performance&mdash;quality and efficiency of health care delivered&mdash;as well as customer satisfaction are taking on new importance and will drive designers of health care facilities to develop ever new methodologies for gathering and assessing evidence.</p>

Thesis (Ph.D.)--Indiana University, Dept. of Folklore, 2007. / Source: Dissertation Abstracts International, Volume: 68-05, Section: A, page: 2108. Adviser: Beverly Stoeltje. "Title from dissertation home page (viewed Jan. 9, 2008)".

Thesis --Diss. -- Helsinki. / Includes bibliographical references (p. [228]-236).

Thesis (M.F.A.)--Rochester Institute of Technology, 1991. / Typescript. Includes bibliographical references (leaf 30).

Thesis (M. Arch.)--Carleton University, 2003. / Includes bibliographical references (p. 104-108). Also available in electronic format on the Internet.

Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2007. / Source: Dissertation Abstracts International, Volume: 68-07, Section: A, page: 2707. Adviser: Elizabeth Hearne. Includes bibliographical references (leaves 411-442) Available on microfilm from Pro Quest Information and Learning.

Thesis (M.A.) - Simon Fraser University, 2006. / Theses (School of Communication) / Simon Fraser University.

Mémoire (M.A.)--Université du Québec à Chicoutimi, 1997. / En tête du titre: Communication présentée comme exigence partielle de la maîtrise en arts plastiques de l'Université du Québec à Montréal offerte à l'Université du Québec à Chicoutimi en vertu d'un protocole d'entente. CaQCU Document électronique également accessible en format PDF. CaQCU

Thesis (M.S.)--Virginia Polytechnic Institute and State University, 1993. / Vita. Abstract. Includes bibliographical references (leaves 61-62). Also available via the Internet.