This thesis attempts to analyse both the characteristics and the presuppositions that constitute the writing of the philosopher and literary critic, Jacques Derrida. / More concretely, this analysis proposes to bring out the principal factors that illustrate the form of writing and thought in Glas. Glas is a real laboratory where Derrida plays with the "text" and the broken form of thought. / Derrida proves that the broken form of writing can neither achieve the status of oeuvre nor protect its own literary nature.

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