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The notion of seriality describes such relations where each element has a processor. It could be also understood as a condition of sequential translation and transfonnation. This thesis investi gates “seriality” in the relationship to architecture and landscape. I begin my investigation with a criticism of the conventional relationship between architecture and landscape. This relationship is often static and inert while it should be more dynamic and interactive within the design process. Reconsidering the relationship between “research” and “design,” my attempt to connect the two using algorithmic design was instrumental in formulating a new design process. In this thesis, a new design process has been developed and examined in three different sec tions: 1) “Theoretical Approach,” 2) “Technical Approach” and 3) “Case Study.” In the theoretical section, I investigate “rhythm,” which is an underlying series of movements affecting on architecture physically and fundamentally, in both architecture and landscape. In re sponse to this theory, I propose a method known as the “Genetic Grid” to manage grid flexibly by receiving its new identities from “natural conditions.” In the technical approach, I introduce methods in algorithmic design to manage grid flexibly. The basic method is called the ‘UVN generator’ which is based on the algorithmic process com bining the scripting potentiality and flexibility of traditional 3D surface modeling. This technique contributes to a method to generate the “Genetic Grid.” In the third section, I examine this “Genetic grid” more closely throughout a proposed design process called “Condition Linkage.” By embedding “Gene of Place” into architectural elements, I hope to show an underlying harmonious relationship between architecture and landscape.

The notion of seriality describes such relations where each element has a processor. It could be also understood as a condition of sequential translation and transfonnation. This thesis investi gates “seriality” in the relationship to architecture and landscape. I begin my investigation with a criticism of the conventional relationship between architecture and landscape. This relationship is often static and inert while it should be more dynamic and interactive within the design process. Reconsidering the relationship between “research” and “design,” my attempt to connect the two using algorithmic design was instrumental in formulating a new design process. In this thesis, a new design process has been developed and examined in three different sec tions: 1) “Theoretical Approach,” 2) “Technical Approach” and 3) “Case Study.” In the theoretical section, I investigate “rhythm,” which is an underlying series of movements affecting on architecture physically and fundamentally, in both architecture and landscape. In re sponse to this theory, I propose a method known as the “Genetic Grid” to manage grid flexibly by receiving its new identities from “natural conditions.” In the technical approach, I introduce methods in algorithmic design to manage grid flexibly. The basic method is called the ‘UVN generator’ which is based on the algorithmic process com bining the scripting potentiality and flexibility of traditional 3D surface modeling. This technique contributes to a method to generate the “Genetic Grid.” In the third section, I examine this “Genetic grid” more closely throughout a proposed design process called “Condition Linkage.” By embedding “Gene of Place” into architectural elements, I hope to show an underlying harmonious relationship between architecture and landscape.

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Patterns of communication in the decision-making process of Design Team Architects are considered. Variations in the verbal content of Architect and other Design Team member interaction behaviour are analysed over the various stages of the design process. A pilot study building design and a main subject study building design are investigatted on a longditudinal basis. Fourteen other building designs are investigated on a cross sectional basis. The presented results represent a data collection period of approximately eighteen months. Design Team interaction is measured using content analysis. The measurement scales used are largely based upon existing methodologies, although some measurement scales are developed specifically for this research. Quantitative data analysis is by mainframe computer, using analysis programs which are developed specifically for this research. Additional qualitative substantiations are provided by extracts of supportive interview responses. The results show pronounced patterns of variation in the interaction content of Design Team members throughout the design process over a range of design types. The conclusions are of use to Design Team members since they illustrate the likely patterns of future interaction for the future stages of any design process. Potential areas of interaction conflict are presented, together with likely variations in Design Team member preoccupations as the design develops. Reference to the results allow the Designer to design in order to avoid likely design interaction problems associated with long term variations in Design Team interaction behaviour. Results indicate that the Architect becomes less assertive during the middle stages of the design, as does the influence of the initial brief. The Architect is consistently the most creative Design Team member, although cost considerations increasingly influence the decision-making process of the Architect, largely at the expense of aesthetic considerations. The professional Design Team members increasingly form a coalition against the Client Representative, to some extent as a defence against late stage disruptive cost reduction exercises, as construction factors increasingly influence interaction behaviour.

The notion of seriality describes such relations where each element has a processor. It could be also understood as a condition of sequential translation and transfonnation. This thesis investi gates “seriality” in the relationship to architecture and landscape. I begin my investigation with a criticism of the conventional relationship between architecture and landscape. This relationship is often static and inert while it should be more dynamic and interactive within the design process. Reconsidering the relationship between “research” and “design,” my attempt to connect the two using algorithmic design was instrumental in formulating a new design process. In this thesis, a new design process has been developed and examined in three different sec tions: 1) “Theoretical Approach,” 2) “Technical Approach” and 3) “Case Study.” In the theoretical section, I investigate “rhythm,” which is an underlying series of movements affecting on architecture physically and fundamentally, in both architecture and landscape. In re sponse to this theory, I propose a method known as the “Genetic Grid” to manage grid flexibly by receiving its new identities from “natural conditions.” In the technical approach, I introduce methods in algorithmic design to manage grid flexibly. The basic method is called the ‘UVN generator’ which is based on the algorithmic process com bining the scripting potentiality and flexibility of traditional 3D surface modeling. This technique contributes to a method to generate the “Genetic Grid.” In the third section, I examine this “Genetic grid” more closely throughout a proposed design process called “Condition Linkage.” By embedding “Gene of Place” into architectural elements, I hope to show an underlying harmonious relationship between architecture and landscape. / Applied Science, Faculty of / Architecture and Landscape Architecture (SALA), School of / Graduate

With limited resources and time available for a typical design project, it is difficult to decide how to allocate these resources and time to produce an optimum design. Also, the question arises, ?Given the design process, available resources, and available time, will the design meet the program goals?? Uncertainty analyses of design processes addresses these issues and could substantially improve design quality, cost, and cycle time. Research to examine uncertainty in the design process employs previous experience in experimental, model, and manufacturing uncertainty, in an innovative approach for analyzing the entire design process. This research was initiated with a pilot project, a 4-bar-slider mechanism. Two new theories for the research have arisen from this pilot project. First, design optimization techniques could be used to compare steps of the design process and to help determine the overall uncertainty of the final manufactured product. Second, manufacturing uncertainty can be included as an additional random uncertainty in the analysis of the final manufactured product. While more research needs to be completed to test, apply, and expand on these theories, the pilot project has been a positive step forward. It has already produced two proposals with one funded and one awaiting a decision. This research, although in its beginning stages, could substantially improve the design process.

Invented by Max Ernst. This is a creative process based on quotation. Here I quote architects and buildings that I admire. The intention is to compose a project while finding my own syntax and working proceedure. Collage. / Master of Architecture

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The purpose of this research was to assess the current (manual) and future (automated) presentation options for fabric and color in the design process. Current and future presentation options were assessed for viability and identification of relationships between reported sufficiency levels and recommended use responses. This exploration was used to identify new and future technologies for presentation of fabric and color that could potentially aid in increasing product manufacturing competitiveness through time and cost reduction. The study also recorded if the current practices for apparel design were congruent with current available technology and estimated future technology capabilities. A judgment sample of 20 apparel and interior industry personnel, in three geographical locations (i.e., West Coast, Southeast, Northeast), were mailed a self-administered survey. The survey design employed a structured multi-part questionnaire and four fabric and color presentation options (i.e., fabric swatch, printed swatch card, 2D simulation, 3D simulation). The survey was pilot tested for content validity and instrument reliability. Descriptive statistics (i.e., frequencies, percentages, contingency tables) were used to analyze the data. The response rate was 65% for 13 usable responses. Exploration and analysis of current (manual) and future (automated) presentation options provided information about the sufficiency of the information provided and for consistencies and inconsistencies in the designer's perception of these options. The fabric swatch format was identified as the current viable manual presentation option. The 2D simulation and 3D simulation presentation option was identified for the automated category. Only the 3D simulation option was found to be viable for use in the design process. The fabric swatch and 3D simulation successfully conveyed all fabric characteristics effectively. The fabric swatch also conveyed all format attributes effectively and the 3D simulation effectively conveyed familiar, satisfactory results, saves time, and increased productivity. / Ph. D.