Lu, Chenxi. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. / Includes bibliographical references (leaves 53-60). / Abstract also in Chinese. / Chapter Chapter 1: --- Introduction --- p.1 / Chapter Chapter 2: --- Methodology --- p.5 / Chapter 2.1: --- Modified Rescaled Range Statistic R/S --- p.5 / Chapter 2.2: --- Fractionally Integrated GARCH (FIGARCH) Model --- p.7 / Chapter Chapter 3: --- Long memory in gold returns and volatility --- p.9 / Chapter 3.1: --- Data --- p.9 / Chapter 3.2: --- Empirical results of the modified R/S statistic and FIGARCH model --- p.11 / Chapter 3.3 --- Self-similarity of long memory in the gold market --- p.15 / Chapter Chapter 4: --- Structural break of long memory in the gold market --- p.18 / Chapter 4.1: --- Structural break in long memory feature --- p.18 / Chapter 4.2: --- Forward rolling and backward rolling methodology and empirical evidence --- p.20 / Chapter 4.3: --- Evidence for the structural break using the FIGARCH model --- p.31 / Chapter Chapter 5: --- Long memory in the international diamond market --- p.40 / Chapter 5.1: --- International diamond cartel --- p.40 / Chapter 5.2: --- Data --- p.43 / Chapter 5.3: --- Empirical results --- p.45 / Chapter Chapter 6: --- Conclusions --- p.51 / Reference --- p.53 / Appendix 1 --- p.61

Thesis (Ph. D.)--University of Missouri-Columbia, 2003. / Typescript. Vita. Includes bibliographical references (leaves 103-108). Also available on the Internet.

Thesis (Ph. D.)--University of Missouri-Columbia, 2003. / Typescript. Vita. Includes bibliographical references (leaves 103-108). Also available on the Internet.

No description available.

Thesis (Ph. D.)--Lehigh University, 1997. / Includes vita. Includes bibliographical references.

Thesis (Ph. D.)--Open University. BLDSC no. DX227301.

Thesis (M.Sc.(Chemistry))--University of Pretoria, 2001. / Summaries in Afrikaans and English.

The origin of diamonds, their preservation and transport to the surface have been important issues over the last decades after the acknowledgement that diamonds are xenocrysts in the host kimberlites and after the discovery of new transport media such as lamproites. Different types of diamonds -E-type diamonds, P-type diamonds- and different types of hosts - Eclogites, Peridotites- have been distinguished. Each type corresponds to particular formation criteria. Ecogitic Diamonds are mostly related to subduction processes, whereas more uncertainties remain regarding the formation of Peridotitic Diamonds. Komatiite extraction and subduction of graphite-bearing serpentinites have been proposed as the more likely processes involved in their formation. A typical mantle signature for diamonds implies a thick, cool, reduced lithosphere. The keel-shape model is the most popular. Archaean cratons are therefore the most promising exploration target and area selection will expect to follow the Clifford's Rule. However, the evidence of cratonic areas hidden under younger formations · through seismic profiles and the discovery of diamond structurally trapped outside their stability field, have increased the potential of diamondiferous areas. Preservation of diamonds inside the lithosphere requires that the mantleroot remains insulated against excessive reheating and tectonic reworking. Mantle-root friendly and mantle-root destructive structures are distinguished. Small-size cratons are usually the most promising exploration targets. Transport of diamonds to the surface is dependant on' the same criteria of preservation. Only kimberlites and lamproites have been recognized as efficient transport media. Their ascent to the surface is conditioned by a multitude of parameters, amongst them the nature of the magma, the speed of ascent, the presence of pre-existing structures in the crust and the availability of ground water in the near-surface environment. The origin of kimberlite magma probably lies near the transition zone. Mixtures of depleted asthenospheric · sources and metasomatically enriched and possibly subducted materials are likely to be at the origin of the different kimberlite magmas. Kimberlite magmatism correlates generally in time with global tectonic events, triggered by either plume activity or by subduction processes, depending of the tectonic school of thought. Kimberlite alignments have been interpreted as hotspot tracks, and kimberlite magmas as volatile-rich melts issued from the remaining plume tail. The plume head produces flood-basalts in an adjacent "thinspot" of the lithosphere, generally on the edges of the cratons. Kimberlite and lamproite ascent to the surface are unconditionally influenced by regional structures. Rift structures, ring structures, transform faults, suture zones and deep-seated faults have been mentioned as controlling or accompanying features of kimberlite magmatism. Nearsurface emplacement constraints are better understood and the ultimate shape of the intrusion(s) depends on the nature of the country rocks, the availability of ground water and the near-surface faulting pattern. The recent discovery of "fissure" kimberlites is one of the more important breakthroughs of the last decade. With a better understanding of the processes involved in diamond formation, preservation and of kimberlite emplacement, major diamond discoveries have recently increased on all the continents. Successful diamond exploration requires today an integration of all geophysical, petrologic, geochemical and structural information available. The particular study of the northwestern Australian lamproite and kimberlite fields, the Brazilian kimberlites, the easternNorth American kimberlite fields, the Lac de Gras kimberlite field, the South African rich kimberlite provinces, and the Yakutian kimberlite fields provide concrete examples of the geotectonic controls on primary diamond deposits. Area selection criteria based on the previous models and examples, are expected to yield to many more discoveries in the coming years. / KMBT_363 / Adobe Acrobat 9.54 Paper Capture Plug-in

From the clothing theory, it is evident that the mass media as generalised “other”, dictates the opinion of what is acceptable and not acceptable regarding fashion. The role that the mass media play in the clothing consumer’s purchases, and more specifically the decision-making process surrounding fashion products, cannot be underestimated. From a social-cultural and aesthetic point of view, it can be argued that culture or sub-culture can play an important role in the aesthetic ideal of beauty of consumers. It is suggested that consumers of different cultural backgrounds have varying beliefs about what is defined as “beautiful” in each of their cultures. Fashion magazines in South Africa largely convey a global appearance ideal, but individuals often tend to also evaluate their appearances against the cultural or sub-cultural beauty ideal in which they reside. Cultural appearance standards in the form of skin colour, hairstyles, body, style, dress, and cultural artefacts (such as accessories) may differ among different cultures and sub-cultures (Craig, 1991). Magazine marketers should thus aim to provide a specific targeted consumer group with a fashion magazine that contains content that satisfies their particular sub-cultural aesthetic needs, personal appearances and standards. People across cultures have the need to compare themselves to others, and with the focus on fashion, appearance is evaluated and compared by the targeted consumers on the basis of either cultural factors or personal factors (Lennon, Rudd, Sloan&Kim, 1999). Fashion serves as a generalised “other” against whom a person can compare him- or herself with. The targeted consumers may not engage in comparison if the appearances of fashion models used in fashion magazine advertisements are too different from the person’s own appearance and standards. It seems that the importance of the above mentioned factors in the decision-making process of consumers regarding fashion products and fashion magazines in particular, have not yet been fully realised in South Africa by magazine marketers and the advertising industry. The women in the Mzanzi Youth sub-segment, serving as the target market for this study, fall under the Black Diamonds consumer group, which is one of the most important up and coming consumer groups in South Africa. It is apparent that this consumer group has a lot of potential and could reap rewards if targeted successfully, yet there is not a fashion magazine that is known of in South Africa that specifically caters for them. Unfortunately little is known about their beauty standards and the appearance of a beauty ideal that they would prefer to compare themselves with, and fashion magazines are therefore not able to fully tap into this potential market. The Purpose of this study was therefore to explore and describe the women in the Mzansi Youth sub-segments’ social comparisons and reflected appraisals of fashion magazine images. It is envisaged that the results of this study would contribute to fashion magazine editors’ and marketers’ understanding of this market’s beauty standards and preferences for beauty ideals that can serve as a generalised “other” in social comparison, in such a way that it can contribute to a positive self-image and an interest in, and intention to buy a specific fashion magazine or the fashion products that are advertised. The theoretical approach to the study included a literature review on fashion, the consumer and the role of culture, which include a discussion on fashion magazines and fashion magazine advertisements or images. The literature also covered the role of cultural beauty ideals and aesthetics in self-esteem. In order to address the problem, a cultural perspective and the theory on identity and social identity were combined with the theory on social comparison, and serves as a theoretical perspective, or point of departure for the research, while also directing the research objectives. The unit of analysis for this study was young adult black women in South Africa (between 18 and 24 years of age), in the Mzanzi Youth sub-segment within the Black Diamond consumer group. A nonprobability sampling technique was employed. The sample for the study was purposive resulting in the use of the snowball sampling method, with 200 respondents having completed a self-administered questionnaire. The study showed that the women in the Mzansi-Youth sub-segment are directed by a strong personal identity and a need to be acknowledged as an African individual with unique personal characteristics. It is therefore also important for them that their appearance should symbolise their personal qualities and not necessarily that of a Westernised fashion style or beauty ideal, or that they belong to a specific social or sub-cultural group. The study further showed that dress, hairstyle and body shape are important features in their beauty ideal, directed by their personal identity. With regard to their aesthetic dimensions that play a role in dress and appearance, for them it is more about the sensory beauty of their appearance and emotional pleasure that their dress and appearance give them, than reflecting that they belong to a specific group or culture - indicative of a personal identity, rather than a social identity. The study further showed that with regard to social comparison, it is not important to the women in the Mzansi Youth sub-segment to compare themselves, and specifically their dress and appearance to those of others, whether it being to their friends, or an African or Westernised beauty ideal. With regard to appraisals of fashion magazine images, portraying different beauty ideals, specifically a Western, African and Euro-African beauty ideal, the study showed that the targeted consumers prefer the Euro-African beauty ideal because they like it, and it is also the appearance that they can relate to and that they would compare themselves to, although comparison is not important to them. However, if they have to compare themselves, they would compare the beauty ideal feature that is the most important to them, namely their dress style. They also mostly compare just for the sake of comparison and not to feel better about themselves or to feel that they fit into a specific group. In cases where they compare negatively to an image, whether African, Western or Euro-African beauty ideal, they will still accept the standard and will do nothing further. Lastly, the study also showed that most of the women in the Mzansi Youth sub-segment, would probably buy a fashion magazine which features Euro-African fashion images to see the latest trends and fashion ideas, but not because the model would inspire them to improve themselves. This study clearly has practical implications for fashion magazine editors and marketers in South Africa, as well as for the advertising industry, especially when incorporating fashion images in advertisements specifically aimed at the women in the Mzansi Youth sub-segment. / Dissertation (MConsumer Science)--University of Pretoria, 2011. / Consumer Science / unrestricted

The great success of the advertising industry in the 1950s created a diamond culture where diamonds are continuously associated with images of love and devotion. With all of the diamond's positive associations, no one could have imagined that such a precious jewel could have negative connotations. Yet in the 1990s, the label "blood diamond" emerged and became widely correlated with torture, rape, child labor, and environmental destruction. My three- manuscript dissertation covers the following topics: how diamond jewelry has become ingrained in American consumer culture, how lab-made diamond substitutes create new politics, and how diamonds created from ashes complicate consumers' relationship with diamond jewelry. These three manuscripts cover a series of interconnected ideas about symbolism and imagery of the diamond. In the first manuscript I present a history of how advertisements have influenced American consumer culture. The second manuscript elaborates on the themes established in the first manuscript by examining the political nature of lab-made diamonds in relation to American consumer culture. And finally, in the third manuscript the images presented in the first manuscript become even more complicated when the end product is literally made from ashes. Lab-made diamonds challenge traditional images of natural stones in a way that forces consumers to confront, and perhaps revise, the way they think about diamonds. / Ph. D.