Yes / This chapter describes a collaborative project funded by Grants for All, Arts Council England, led by artist Karina Thompson, together with researchers from the Biological Anthropology Research Centre (BARC), School of Archaeological and Forensic Sciences, University of Bradford. The artworks took digitised historic clinical radiographs and digitised human skeletal pathological data from the landmark Digitised Diseases, and From Cemetery to Clinic digital bioarchaeology resources developed by colleagues from Visualising Heritage as a starting point. In addition to a series of small-scale installations displayed alongside the Biological Anthropology Research Centre teaching collection, large-scale exhibition pieces were displayed as part of national and international exhibitions. Collectively these works draw attention to the potential of digital bioarchaeology, whilst ensuring the importance of humanising the documentation of disease through time.