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1	L'inscription de la parole dans le récit littéraire vers une théorie de la représentation du verbal Belli-Bivar, Gillian January 1984 (has links) To date, semiotics has not concerned itself with a systematic theorization of dialogue structures within narrative prose. Per- ceived as microtextual phenomena, deprived, therefore, of their own particular structure and function on the underlying syntactico-semantic structure of narrative logic, the linguistic activities of characters have generally been considered as more or less perfect copies of real speech, responsible for elements of characterization, pittoresque and narrative detente. In this paper, an attempt is made to reinstate narrative dialogue within the problematic relations to which it gives rise, that is, the relations it maintains with real speech and with other narrative components, so as to discern not only its specific written structure, which leads to numerous mimetic effects, but also its differential structures, distributions and functions within the narrative framework, which corroborate its specificity as a text- ual sign and confirm its semiotic status. Semiotics and literature. Direct discourse in literature.
2	Idiolects in Dickens the major techniques and chronological development / Golding, Robert. January 1982 (has links) Thesis (Ph. D.)--Freie Universität Berlin. / Vita. Includes bibliographical references (p. 319-330).
3	Idiolects in Dickens the major techniques and chronological development / Golding, Robert. January 1982 (has links) Thesis (Ph. D.)--Freie Universität Berlin. / Vita. Includes bibliographical references (p. 319-330).
4	L'inscription de la parole dans le récit littéraire vers une théorie de la représentation du verbal Belli-Bivar, Gillian January 1984 (has links) No description available. Semiotics and literature. Direct discourse in literature.
5	The function of direct quotations as an evaluative device in personal profiles Ng, Shuet Ngan Grace 01 January 2001 (has links) No description available. Direct discourse in literature Discourse analysis Narrative Narration (Rhetoric)
6	The discourse in seven Icelandic sagas Droplaugarsona saga, Hrafnkels saga Freysgoða, Víga-Glúms saga, Gísla saga Súrssonar, Fóstbrœðra saga, Hávarðar saga Ísfirðings, Flóamanna saga, Jeffrey, Margaret, January 1900 (has links) Thesis (Ph. D.)--Bryn Mawr college, 1933. / Vita. "Saga texts": p. 101.
7	The discourse in seven Icelandic sagas Droplaugarsona saga, Hrafnkels saga Freysgoða, Víga-Glúms saga, Gísla saga Súrssonar, Fóstbrœðra saga, Hávarðar saga Ísfirðings, Flóamanna saga, Jeffrey, Margaret, January 1900 (has links) Thesis (Ph. D.)--Bryn Mawr college, 1933. / Vita. "Saga texts": p. 101.
8	The use of direct speech in Ovid's Metamorphoses ... Avery, Mary Myrtle, January 1937 (has links) Thesis (Ph. D.)--University of Chicago, 1936. / Lithoprinted. "Private edition, distributed by the University of Chicago libraries, Chicago, Illinois."
9	Aspects of the speech in the later Roman epic Lipscomb, Herbert Cannon, January 1980 (has links) Thesis (Ph. D.)--Johns Hopkins University, 1907. / Reprint. Originally published: Baltimore : J.H. Furst, 1909. Includes bibliographical references.
10	Gender and dramatic discourse with reference to Zakes Mda's selected plays. Ntuli, Zanele Nonhlanhla 09 1900 (has links) Text in English, Tswana and siSwati / This dissertation examines the multiplicity of social positions within which African women in the postcolonial era find themselves. It focuses on how the dramatic dialogue depicts the positions of women in Zakes Mda’sThe Nun’s Romantic Story, And the Girls in their Sunday Dresses and You Fool, How can the Sky Fall. The study is intended to explore the dramatic dialogue in these plays and to show whether there is any evidence of change in women’s positions. It seeks to demonstrate the extent to which the positions of women have changed and also how the dramatic dialogue in the selected plays of Zakes Mda indicates the change in women’s positions. / Thutopatlisiso eno e tlhatlhoba maemo a loago a mantsintsi a basadi ba maAforika ba ba tshelang mo motlheng wa morago ga puso ya bokoloniale ba iphitlhelang ba le mo go ona. E tota ka moo puisano ya terama e bontshang maemo a basadi ka gona mo The Nun’s Romantic Story, And the Girls in their Sunday Dresses le You Fool, How can the Sky Fall tsa ga Zakes Mda. Maikaelelo a thutopatlisiso ke go sekaseka puisano ya terama mo metshamekong eno go bontsha gore a go na le bosupi bope jwa diphetogo mo maemong a basadi. E batla go bontsha ka moo maemo a basadi a fetogileng ka gona le ka moo puisano ya terama mo metshamekong e e tlhophilweng ya ga Zakes Mda e bontshang diphetogo mo maemong a basadi ka gona. / Ledisetheshini ihlolisisa tikhundlanyenti tetenhlalo bomake base-Afrika labatitfola bakuto ngemuva kwesikhatsi sembuso webukolonali (umbusobucalu). Igcile ekutsini inkhulumomphendvulwane emidlalweni yaZakes Mda itikhombisa kanjani letikhundla tabomake; i-The Nun’s Romantic Story [Indzaba yelutsandvo yemasisitela], ne-Girls in their Sunday Dresses [Emantfombatana etingutjeni tawo teLisontfo] ne-You Fool [Wena Silima], How can the Sky Fall [Singawa kanjani Sibhakabhaka]. Lolucwaningo lwentelwe kuhlolisisa inkhulumomphendvulwane kulemidlalo kanye nekukhombisa kutsi ingabe bukhona yini bufakazi bengucuko etikhundleni tabomake. Ifuna kukhombisa kutsi tikhundla tabomake tigucuke kangakanani kanye nekutsi inkhulumomphendvulwane emidlalweni lekhetsiwe yaZakes Mda ikukhombisa kanjani kugucuka kwetikhundla tabomake. / English Studies / M.A.(Theory of Literature) Dramatic dialogue Topic control Turn change Turn construction Turn distribution Turn length Turn order Turn sequencing Turn taking 822.914 Puisano ya terama Bong Taolo ya setlogo Phetogo Phetogo ya sebaka Kago ya sebaka Phasalatso ya sebaka Boleele jwa sebaka Thulaganyo ya sebaka Tatelano ya sebaka Go tsaya sebaka Inkhulumomphendvulwane emdlalweni Bulili Kulawulwa kwesihloko Kuntjintjana kwetikhulumi Kwakhiwa/kuhlelwa kwemdlalo Kusabalalisa Budze besikhatsi sekuhuluma Luhlelo lwekukhuluma Kulandzelana Kunikana ematfuba Mda, Zakes Gender in literature Literary form Direct discourse in literature Indirect discourse in literature

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