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Fragmentos e abismos discursivos do Livro do desasocegoSousa, Cl?udia Simone Silva de 27 March 2015 (has links)
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Previous issue date: 2015-03-27 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior (CAPES) / A presente tese de doutorado buscou, pelas linhas do Livro do desasocego, de Fernando
Pessoa, sob a ?gide do semi-heter?nimo Bernardo Soares, trazer ? luz modos pelos quais a
escritura fragment?ria pode ser reveladora do poder da linguagem. O corpus liter?rio foi
abordado com o olhar voltado para a estrutura simb?lica da representa??o da linguagem como
inventiva da vida de um sujeito enunciador de m?ximas e reflex?es contidas em textos, de
variados temas, presentes na obra estudada, os quais permanecem efervescentes ao longo do
tempo, desde a sua primeira edi??o em 1982. O Livro n?o parou de ser reeditado sob diversas
concep??es e organiza??es. Para tanto, o aporte te?rico central para a consecu??o da tese foi a
vertente da An?lise Textual do Discurso, norteada por Dominique Maingueneau (2006).
Todavia, a abordagem trazida para a pesquisa buscou estar para al?m dessa fronteira te?rica,
mediante di?logos pertinentes com autores como Fran?oise Susini-Anastapoulos, Gilles
Deleuze, Jer?nimo Pizarro, Maurice Blanchot, Roland Barthes, dentre outros, que apontaram
temas convergentes para a consecu??o da tese, objetivando revelar diferentes modos para se
abordar um livro fragmentado, o qual favorece m?ltiplas abordagens. / Considering Fernando Pessoa?s The Book of Disquiet as edited in English ?, written under the
would-be heteronym Bernardo Soares, the author of the present thesis has tried to question,
and eventually show, the forms through which fragmentary writing can reveal the power of
language. The approach to literary corpus of this research was made having in mind the
symbolic structure of the representation of language, used by Soares? character as a
continuous life reinvention resource - a character that shows himself as a proclaimer of
reflections and aphorisms spread under numerous themes and pieces of text. The The Book of
Disquiet has recorded a somewhat unquiet recent history since its first edition in 1982, with a
considerable number of editions and editing criteria, having in common Dominique
Maingueneau?s (2006) textual analysis as central theoretical subsidy. In the present work,
however, the author has sought to endeavor beyond the theory and borders of Maingeneau?s
approach, and to bring by the contribution of authors that had already explored confluent
issues, e.g. Fran?oise Susini-Anastapoulos, Gilles Deleuze, Jer?nimo Pizarro, Maurice
Blanchot, Roland Barthes, and other. Considering that The Book of Disquiet is a fragmentary
work by nature, the author believes that multiple contributions are likely to favor multiple
approaches and to reveal consistent angles or paths to approaching Soares? core work.
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