The ancient Roman domestic cult is often overlooked and marginalized in favor of state sponsored practices, monuments, and temples; yet it can give us insights into daily life, cultural interactions, and personal identity in the Empire. In my dissertation, I recreate a selection of domestic contexts in order to learn more about private cultic practices, thus illuminating those activities and behaviors that may be far removed from what appears in the literary sources or in monumental reliefs and paintings. Furthermore, the era considered is a crucial period in the history of the western world that included the rise of Christianity and dramatic changes in Roman pagan cults. By concentrating on the Roman East, I produce information relating to these changes outside of Italy and study the impact on cross-cultural exchanges and identities formulated by the Roman colonization of these cities. The Roman domestic cult in Italy invoked specific gods to maintain the well-being of the home in small shrines within the house. Material evidence for these practices survives in the form of statuettes and wall paintings of the gods, incense burners, and altars. Other divinities chosen by the head of the household could join or supplant the traditional domestic deities. These additions to private shrines acted as protective patron gods of the household and they reveal a personal relationship between deity and devotee. One barrier to the understanding of the domestic cult in its original context is the nature of multiculturalism in the Roman Empire. In the nineteenth and early twentieth centuries, scholars tended to equate the Roman Empire with the concept of the modern nation-state. The Empire was seen as a cultural juggernaut that disseminated a uniform Roman identity that was sent out from Italy to the provinces. Evidence for "Romanization" was noted in the introduction of the Roman city plan, and Roman habits were seen in new types of public buildings such as baths or amphitheaters, the adoption of Roman coinage, the toga and the Latin language, and the introduction of Roman cults, especially the cult of the emperor. Most scholars today prefer to view the expansion of the Empire as a process that included reciprocal acculturation between natives and their Roman masters. Using this model, I examine religious cross-currents on a domestic scale, thus contributing to the current scholarly discussion. By exploring the cult in the home, we can get a better indication of the interaction between native and Roman in the private sphere. Scholars agree that we can learn more from smaller, regional studies; it cannot be assumed that the same things occurred in all parts of the empire and at all times. The case-study approach has replaced the sweeping and sometimes vague histories of years past. I have chosen three sites from the Roman East since they have an abundance of material evidence that has not been exploited to its full potential: Karanis (modern Egypt), Ephesos (modern Turkey), and Dura-Europos (modern Syria). The significance of my project is three-fold. I present previously unpublished material from important sites in the Roman East. By looking at these three sites, I expand the dialogue from the singular discussion of domestic religion in first-century Italy, thus enriching it substantially. Through the consideration of acculturation between east and west I contribute to the discussion of "Romanization" in the first to fifth centuries CE. By comparing these sites with those better published, such as Pompeii and Ostia (Rome's port, largely abandoned in the second half of the third into the fourth centuries), I can more clearly show the contrast between the two halves of the Empire. My goals will be to determine how (and if) "Romanization" can be seen in these locations, what the impact of local artistic styles and indigenous deities is, and how the reciprocal relationship manifests in daily religious practices within the home. / Art History

Si la religion grecque a fait l’objet de nombreuses études, les informations concernant les rites domestiques se font plus discrètes. Nous avons donc tenté de présenter les traces archéologiques de ses cultes domestiques en nous concentrant sur un élément bien précis, les autels. Nous vous proposons donc dans ce mémoire de présenter un catalogue raisonné des autels domestiques de la Grèce antique. Celui-ci répertorie 140 autels domestiques, qu’ils soient de types fixes (construits) ou portatifs (arulae). Une analyse quantitative et qualitative des informations colligées dans le catalogue fait suite à ce dernier. Nous pouvons tirer quelques conclusions partielles suite à l’analyse de notre catalogue. Il est possible d’affirmer qu’il existe beaucoup plus d’autels portatifs que d’autels fixes. Les arulae n’ont pour la plupart pas été trouvés in situ, contrairement aux autels construits. La grande majorité des autels se trouvent dans la cour de la demeure ou contre un mur extérieur de la maison. Les autels portatifs, eux se retrouvent aussi dans diverses pièces de la maison, dont la pastas. La majorité des autels portatifs sont faits de terre-cuite, alors que les fixes sont tous faits de différentes pierres. Peu importe le type, la majorité des autels sont rectangulaires plutôt que circulaires. Très peu d’autels sont dédiés spécifiquement à un dieu et ceux attribués à Zeus Herkeios le sont seulement par leur position dans la cour de la demeure et non à cause d’un décor ou d’objets affiliés. Les autels autant portatifs que fixes peuvent porter un décor, allant d’une simple moulure à un riche décor rappelant les grands autels monumentaux des sanctuaires. Certains sont par contre nus et ont même des faces non travaillées. Nous détaillons dans la dernière section le cas de Zeus Ktésios et Zeus Kataibatès, comme nous possédons beaucoup d’informations pertinentes sur ces deux divinités et nous pouvons donc nous attarder sur leur culte. Il est par contre difficile de recréer des rites domestiques complets. Pour ce faire, il faudrait avoir accès aux catalogues complets des artéfacts retrouvés sur chaque site. Nous pourrions ainsi créer des assemblages et mettre en liens ces objets et les autels et tenter d’interpréter et de reconstituer ces différents rites domestiques. / The Greek religion was approached by numerous authors during the last century. However, the information about the domestic rites is more discreet. Here, we tried to present the archaeological marks of those domestic cults by focussing on one precise element, the altars. In this Thesis, we are presenting a descriptive and analytical catalogue about domestic altars in ancient Greece that lists one hundred and forty domestic altars, whether they were built type or portable type (arulae). The analysis that follows after the catalogue brings out quantitative and qualitative information. As per our analysis, we were able to draw partial conclusions about our listed domestic altars. It’s possible to affirm that there’s a lot more portable than built altars. The arulae was not found in situ in majority, counter to the built altars. A lot of them were found in courtyard or close to the exterior wall of the house. Portable altars are also found in various rooms in the house. Portable altars are, in majority, made in terracotta and built altars are all made with different kinds of stone. Regardless the type of altar, there’s a large majority of rectangular instead of circular one. A small number of altars are precisely dedicated to a god and those attributed to Zeus Herkios sound by their position in the courtyard and not even by their decor or affiliated objects. Both types of altars may have a decor, a simple moulding or a rich decor like the large monumental altars located in sanctuaries. Although, some are without decor and even have one or multiples faces unworked. In the last section we elaborated the case of Zeus Ktesios and Zeus Kataibates, as we have a lot of relevant information about them and so we can dwell on their worships. However, it’s hard to recreate entire domestic rites. In order to do so, we would need the complete catalogues of artefacts found on each site. Then, we could create some assemblages and link those objects and altars together and attempt to interpret and rebuilt those different domestic rites.