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Die ästhetische Bedeutung der Aktgliederung in der TragödiePaalhorn, Leo, January 1929 (has links)
Inaug.-diss.--Halle. / "Lebenslauf." Bibliography: p. 173-8.
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Die ästhetische Bedeutung der Aktgliederung in der TragödiePaalhorn, Leo, January 1929 (has links)
Inaug.-diss.--Halle. / "Lebenslauf." Bibliography: p. 173-8.
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Die Theorie des Tragischen im 17. Jahrhundert in Deutschland und FrankreichReiss, Walter. January 1910 (has links)
Inaug.-Diss.--Bern.
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ΣΥΣΤΑΣΙΣ ΠΡΑΓΜΑΤΩΝ: the playwright's use of the action in Athenian tragedyFraser, Rowan Ellis Siobhan January 2010 (has links)
This thesis contributes to the understanding of the stagecraft and composition of Athenian tragedy through a re-evaluation of its component elements within the structure. I undertake a re-interpretation of the Aristotelian terms for 'plot', which allows for a more nuanced examination of events occurring within a tragedy. As Aristotle notes, the systasis of pragmata is the structure of events that forms a tragedy. The muthos is the way in which these events are presented and includes the actions and words of the dramatis personae. Pragmata are constituent elements of both the systasis and muthos. This thesis identifies and evaluates the pragma’s effects upon the movement of the systasis, its contribution to the enrichment of the muthos and its influence on audience engagement with a performance through both enacted and non-enacted forms. My approach involves a rigorous examination of the elements common to an enacted pragma, before identifying the variations therein. While a pragma involves all actions which serve the same general function, every instance of a pragma is unique. Each chapter in turn focuses on a particular pragma, before examining the role of that pragma within an entire tragedy. Enactments of each pragma in extant tragedy are tabled in appendices. The pragma of return home is examined within Andromache; recognition in Sophocles' Elektra; supplication in Hekabe; and reporting in Women of Trachis. This analysis demonstrates the dynamic role and versatility of different types of pragma within a tragedy, and the playwright's ingenuity as demonstrated by his deployment of this element. No single approach or methodology can by itself fully interpret an Athenian tragedy, but a focus on a particular pragma illuminates different themes and emphases and ultimately provides us with a better understanding of a tragedy.
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De Graecorum tragicorum principum fabularum nominibusHippenstiel, Wilhelm, January 1887 (has links)
Inaug.-Diss.--Marburg. / Vita.
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L'dywv dans la tragédie grecqueDuchemin, Jacqueline. January 1945 (has links)
Issued also as thesis, Universit́e de Paris. / Bibliographical foot-notes. "Note bibliographique": p. [239].
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Studien zur deutschen Alexandrinertragödie nach dem muster Gottscheds bis zum erscheinenSchum, Alexander, January 1919 (has links)
Inaug.-diss.--Kgl. Julius-Maximilians-Universität, Würzburg. / Lebenslauf. "Literatur-nachweis": last p. but one.
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Die Sophonisbetragödien der englischen literatur des 17. und 18. jahrhunderts ...Saupe, Gerhard, January 1929 (has links)
Inaug.-diss.--Halle-Wittenberg. / Lebenslauf. "Literaturverzeichnis": p. [74]-78.
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Das Dreischauspielergesetz in der griechischen TragödieKaffenberger, Heinrich, January 1911 (has links)
Thesis--Giessen. / Includes bibliographical references.
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Das deutsche bürgertum in deutschen tragödien des achtzehnten und neunzehnten jahrhundertsUlmann, Hans. January 1923 (has links)
Inaug.-diss.--Giessen. / Without thesis note on t.p. "Literatur-nachweis": p. 7-8.
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