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The inserted masque in Elizabethan and Jacobean dramaLaird, David, January 1955 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1955. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [182]-190).
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Restoration comedy the critical view, 1913-1965 /Lott, James David, January 1967 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1967. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 420-441).
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The rhetoric of Augustan tragedyKearful, Frank Jerome, January 1966 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1966. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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British drama museums : history, heritage, and nation in collections of dramatic literature, 1647-1814 /Pruitt, John. January 2005 (has links)
Thesis (Ph.D.)--Ohio University, November, 2005. / Includes bibliographical references (leaves 228-275)
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Using theatre techniques as a tool to enable active learning : searching for a pedagogy to transform spectators into spect-actors /Van Schalkwyk, Marèth. January 2005 (has links)
Thesis (MA)--University of Stellenbosch, 2005. / Bibliography. Also available via the Internet.
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The German drama in English on the Philadelphia stage from 1794 to 1830Brede, Charles Frederic. January 1918 (has links)
Thesis (Ph. D.)--University of Pennsylvania, 1905. / Published also without thesis note.
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Gao Xingjian vs. Martin Crimp in between modernism and postmodernismMazzilli, Mary January 2009 (has links)
This thesis deals with the plays by Gao Xingjian - a Chinese contemporary playwright and Nobel Prize winner for literature in 2000 - and Martin Crimp a contemporary English playwright. The plays from both authors will be looked at from a comparative perspective within the theoretical framework linked to the debate between modernism and postmodernism, as inspired by Calinescu's theory. Calinescu's theory is based on the idea that Postmodernism is a 'face of modernism': he speaks about recurrent aspects ('similarities') of Modernism in Postmodernism, not only in terms of the repetition of patterns from the past in the present culture, but in terms of a natural historical evolution of Modernism into new cultural forms. The aim of this thesis is, therefore, to prove Calinescu's idea of continuity between Modernism and Postmodernism through the work by the two playwrights and by doing this it inevitably demonstrates a link between two writers coming from two different continents, hence a connection between Eastern and Western Literature. This thesis carries out an investigation into the two \vriters' dramatic texts and searches for signs of modem and postmodern elements and highlights how these elements coexist. In particular, in each chapter the thesis will carry out a close reading analysis of one or more plays by each author: in the case of Gao, we focus on post-exile plays, written after he left China in 1986 and are analysed chronologically; in the case of Crimp, the plays in question are not in strict chronological order but almost in parallel order to Gao's plays as they were written from the 1990s up to the present day.
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A comparison of the tragic elements in Greek drama with the tragic elements in contemporary dramaCurrin, Erma Evangeline. January 1930 (has links)
Call number: LD2668 .T4 1930 C81
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Necessary evils: Strangers, outsiders and outports in Newfoundland drama.Devine, Michael Lawrence. January 2007 (has links)
Thesis (Ph. D.)--University of Toronto, 2007. / Source: Dissertation Abstracts International, Volume: 68-05, Section: A, page: 1735.
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Germany's military heroes of the Napoleonic era in her post-war historical drama currents of German nationalism in recent historical playsStearns, Harold Everett, January 1900 (has links)
Thesis (Ph. D.)--University of Michigan, 1938. / "Errata" : slip inserted. "Plays first performed or first published 1919-1935 which are based on some phase of German history 1803-1815" : p. 131-139. "General bibliography": p. 141-147.
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