La tesi si concentra sugli influssi lessicali che le lingue indiane hanno esercitato sulla lingua inglese sia in prospettiva diacronica sia sincronica. La prima parte dell'elaborato indaga, tramite l'impiego di uno strumento lessicografico, l'Oxford English Dictionary edizione on-line, la presenza in inglese di prestiti veri e propri, ma anche di derivati e composti, sorti in seguito al contatto tra l'inglese le lingue indiane a partire dal Sedicesimo secolo e fino ai nostri giorni, arrivando a individuare 1791 forme lessicali. La seconda parte intende verificare l'effettiva presenza, la frequenza d'uso e il significato di tali prestiti, composti e derivati nel British English contemporaneo, avvalendosi degli strumenti offerti dalla linguistica dei corpora. Il corpus di riferimento impiegato in questa seconda fase della ricerca è Bank of English. L'elaborato, oltre a delineare lo scenario storico culturale di riferimento, mette in evidenza le procedure metodologiche impiegate, e ricostruisce l'impianto teorico sulle questioni di interferenze tra codici linguistici, lingue in contatto e prestiti lessicali, riferendosi ai maggiori e più recenti studi in materia. / The research focuses on lexical influences exerted by Indian languages on British English as a result of linguistic contacts between Great Britain and India. Both diachronic and synchronic perspectives are taken into consideration in evaluating the extent of such lexical influences. The first part of the research analyses the presence of words of East Indian origin in English by means of the Oxford English Dictionary, on-line edition, be these words authentic lexical borrowings, or derivatives or compounds arisen as a consequence of such linguistic contacts. The historical period taken into consideration goes from the 16th century till nowadays. The second part of the research aims to verify the actual presence, frequency of usage and meaning of such words in contemporary British English by means of a linguistic corpora tool, namely the Bank of English by Harper Collins. The historical and cultural background of the relationships between Great Britain and India, as well as the theoretical background about linguistic interferences as a whole are also illustrated, with reference to the most authoritative and recent studies.

Some text in Zulu / Psychology of Education / M. Ed.

Bollywood cinema continues to evolve. As a result, it has become a transnational/cultural role player for Indian audiences worldwide. There has always been a strong link between Bollywood cinema and Indian society. Over the years, it has contributed to the dialogue on women’s roles and position in Indian society. In the past, Bollywood filmmakers were faithful to representations of women who were bound by patriarchal structures in the sense that they were expected to be loyal to ancient Indian traditions and belief-systems. Based on the increase in Indian migration, contemporary Bollywood filmmakers are now catering to the demands of the Indian diaspora and therefore, a more global market. The impact of transnationalism on the representation of women in many Bollywood films has further added to the creation of open spaces for the Bollywood heroine. In this regard, the films of auteur director Karan Johar are valuable because they provide audiences with material that suggests re-thinking patriarchal structures in a transnational world. This study will examine the representation of women in three selected films of Johar within the framework of feminist theory (Indian context). The impact that transnationalism has had on the Indian diaspora and the manner in which this translates into the narratives and representations of female characters in Bollywood films will be discussed. / Afrikaans & Theory of Literature / D. Litt. et Phil. (Theory of Literature)

Anglo-Indians, a designation acquired in the 1911 Indian Census, had previously been known as Eurasians, East Indians, Indo-Britons and half-castes. ‘Anglo-Indian’ had previously denoted, and among some scholars continues to denote, Britons long resident in India. We will define Anglo-Indians as a particular mixed race Indo-European population arising out of the European trading and imperial presence in India, and one of several constructed categories by which transient Britons sought to demarcate racial difference within the Raj’s socio-racial hierarchy. Anglo-Indians were placed in an intermediary (and differentially remunerated) position between Indians and Domiciled Europeans (another category excluded from fully ‘white’ status), who in turn were placed below imported British superiors. The domiciled community (of Anglo-Indians and Domiciled Europeans, treated as a single socio-economic class by Britons) were relied upon as loyal buttressing agents of British rule who could be deployed to help run the Raj’s strategically sensitive transport and communication infrastructure, and who were made as a term of their service to serve in auxiliary military forces which could help to ensure the internal security of the Raj and respond to strikes, civil disobedience or crises arising from international conflict. The thesis reveals how calls for Indianisation of state and railway employment by Indian nationalists in the assemblies inaugurated by the 1919 Government of India Act threatened, through opening up their reserved intermediary positions to competitive entry and examination by Indians, to undermine the economic base of domiciled employment. Anglo-Indian leaders responded with varying strategies. Foremost was the definition of Anglo-Indians as an Indian minority community which demanded political representation through successive phases of constitutional change and statutory safeguards for their existing employment. This study explores various strategies including: deployment of multiple identities; widespread racial passing by individuals and families; agricultural colonisation schemes; and calls for individual, familial or collective migration.

Bollywood cinema continues to evolve. As a result, it has become a transnational/cultural role player for Indian audiences worldwide. There has always been a strong link between Bollywood cinema and Indian society. Over the years, it has contributed to the dialogue on women’s roles and position in Indian society. In the past, Bollywood filmmakers were faithful to representations of women who were bound by patriarchal structures in the sense that they were expected to be loyal to ancient Indian traditions and belief-systems. Based on the increase in Indian migration, contemporary Bollywood filmmakers are now catering to the demands of the Indian diaspora and therefore, a more global market. The impact of transnationalism on the representation of women in many Bollywood films has further added to the creation of open spaces for the Bollywood heroine. In this regard, the films of auteur director Karan Johar are valuable because they provide audiences with material that suggests re-thinking patriarchal structures in a transnational world. This study will examine the representation of women in three selected films of Johar within the framework of feminist theory (Indian context). The impact that transnationalism has had on the Indian diaspora and the manner in which this translates into the narratives and representations of female characters in Bollywood films will be discussed. / Afrikaans and Theory of Literature / D. Litt. et Phil. (Theory of Literature)