Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-10-26T23:54:53Z No. of bitstreams: 1 BenHurBernardPereiraCosta_DISSERT.pdf: 1944382 bytes, checksum: 96702a0b161475b600bb7d2abad864e7 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-12-27T15:52:24Z (GMT) No. of bitstreams: 1 BenHurBernardPereiraCosta_DISSERT.pdf: 1944382 bytes, checksum: 96702a0b161475b600bb7d2abad864e7 (MD5) / Made available in DSpace on 2016-12-27T15:52:24Z (GMT). No. of bitstreams: 1 BenHurBernardPereiraCosta_DISSERT.pdf: 1944382 bytes, checksum: 96702a0b161475b600bb7d2abad864e7 (MD5) Previous issue date: 2016-05-24 / Das v?rias consequ?ncias do pensamento antropoc?ntrico, a perda da autonomia da natureza foi uma delas, resultando na cria??o de um espa?o onde o ser humano pudesse ser dominante. Esse espa?o ? a casa, que antes se encontrava integrada ao seu entorno. Por?m, ao longo do tempo, este espa?o se enrijeceu e se destacou da natureza. Este trabalho se debru?a sobre o surgimento de uma nova natureza aut?noma, propiciada pela eletricidade, pelas novas tecnologias e por uma cultura t?cnico-informacional, que tem permitido ? casa um retorno ? natureza, agora artificial. Como subst?ncia te?rico-conceitual, nos apropriamos da teoria Ecologia da M?dia, que tem Marshall McLuhan como seu principal pensador. Seguindo para um estudo de caso, onde analisamos a s?rie de TV Downton Abbey (2010) e o livro Lady Almina e a Verdadeira Downton Abbey: O Legado Perdido do Castelo de Highclere (2012). Ambas fontes formam um corpus emp?rico que se justap?e a outro objeto: a experi?ncia de Leonie M?ller, uma estudante alem? que desde 2015 mora nos trens de seu pa?s. Dentro do estudo de caso, adotamos a adequa??o ao padr?o tomando como categoria a proposta tr?ade de habitares, de Massimo Di Felice, emp?tico, exot?pico e at?pico (2009). Em associa??o a essa an?lise, os conceitos de contempor?neo, de Agamben (2009) e heterotopia, de Foucault (2013), complementam as ferramentas de compreens?o dos objetos. / Among several consequences of the anthropocentric belief, the loss of nature's autonomy was one of them, resulting in creation of a space under humans' domain. This space is named housing, which used to be integrated with its surroundings. However, as time passed, it went rigid and was cut off from nature. This work examines the emergence of a new, autonomous, nature, fostered by electric power, by the new technologies and by a technical and informational culture, which has allowed housing to return to a now artificial nature. We appropriate the Media Ecology theory, which has Marshall McLuhan as its primary thinker, as our theoretical and conceptual substance. This is followed by a case study, on which we analyse the television series Downtown Abbey (2010) and the book Lady Almina e a Verdadeira Downtown Abbey: O Legado Perdido do Castelo de Highclere (2012), making an empirical corpus which juxtaposes another object: the experiences of Leonie M?ller, an german student who, since 2015, lives in the trains in her country. Within the case studies we adopted fitness to the pattern, using the Massimo Di Felice's dwelling triad, emp?tico, exot?pico and at?pico (2009). In conjunction to this analyses, the concepts of contemporary, by Agamben (2009) and heterotopia, by Foucault (2013), complement the comprehension tools for these objects.