This dissertation is a video ethnography of the enculturation and learning patterns among children on three school playgrounds in the Central Region of Ghana, West Africa. It includes a) a discussion of colonialism on the redefinition of Ghanaian cultural identity in relation to play culture and the school curriculum b) performance-based case studies of six singing games, which comprise a description of sound and structural features and an explanation of cultural forms evident in singing games and c) a discussion on the role multimedia technologies (video, audio, and computer technologies) played in configuring my explanations and the explanations of all participants: children, teachers, and community members. Goldman-Segall' s "configurational validity" is the conceptual basis of this ethnography of Ghanaian children's music cultures. Configurational validity is a collaborative theory for analyzing video documents that expands on the premise that research is enriched by multiple points of view. Performance stylistic features of singing games emerge that reflected the marriage of two music cultures, indigenous Ghanaian and European. These include: speech tones, onomatopoeia, repetition and elaboration of recurring melodic cliches, portamentos or cadential drops, syncopations, triplets, melisma, polyrhythms, vocables, anacrusis, strophic, circle, lines, and partner formations. During play, the children were cultural interlocutors and recipients of adult cultural interlocution as they learned about accepted and shared social behavioural patterns, recreated their culture, and demonstrated the changing Ghanaian culture. The culture forms that emerged include community solidarity, inclusion, ways of exploring and expressing emotions, coordination, cooperation, gender relations, and linguistic code switching. For children in Ghana, knowledge is uninhibited shared constructions; knowledge grows when every one is involved; and knowledge is like "midwifery." I recommended a teaching style that encouraged the expression of children's wide ranging knowledge by a) offering opportunities for cooperative learning through group work, b) encouraging continuous assessment, c) establishing stronger ties with the adult community, and d) recognizing that the ability of children to hear, interpret, and compensate for dialectic differences in closely related languages can be used to enrich the language arts curriculum and also e) recognizing that the cultural studies curriculum can be enriched by the ability of children to re-create hybrid performing arts cultures.

This dissertation is a video ethnography of the enculturation and learning patterns among children on three school playgrounds in the Central Region of Ghana, West Africa. It includes a) a discussion of colonialism on the redefinition of Ghanaian cultural identity in relation to play culture and the school curriculum b) performance-based case studies of six singing games, which comprise a description of sound and structural features and an explanation of cultural forms evident in singing games and c) a discussion on the role multimedia technologies (video, audio, and computer technologies) played in configuring my explanations and the explanations of all participants: children, teachers, and community members. Goldman-Segall' s "configurational validity" is the conceptual basis of this ethnography of Ghanaian children's music cultures. Configurational validity is a collaborative theory for analyzing video documents that expands on the premise that research is enriched by multiple points of view. Performance stylistic features of singing games emerge that reflected the marriage of two music cultures, indigenous Ghanaian and European. These include: speech tones, onomatopoeia, repetition and elaboration of recurring melodic cliches, portamentos or cadential drops, syncopations, triplets, melisma, polyrhythms, vocables, anacrusis, strophic, circle, lines, and partner formations. During play, the children were cultural interlocutors and recipients of adult cultural interlocution as they learned about accepted and shared social behavioural patterns, recreated their culture, and demonstrated the changing Ghanaian culture. The culture forms that emerged include community solidarity, inclusion, ways of exploring and expressing emotions, coordination, cooperation, gender relations, and linguistic code switching. For children in Ghana, knowledge is uninhibited shared constructions; knowledge grows when every one is involved; and knowledge is like "midwifery." I recommended a teaching style that encouraged the expression of children's wide ranging knowledge by a) offering opportunities for cooperative learning through group work, b) encouraging continuous assessment, c) establishing stronger ties with the adult community, and d) recognizing that the ability of children to hear, interpret, and compensate for dialectic differences in closely related languages can be used to enrich the language arts curriculum and also e) recognizing that the cultural studies curriculum can be enriched by the ability of children to re-create hybrid performing arts cultures. / Education, Faculty of / Curriculum and Pedagogy (EDCP), Department of / Graduate

The aims of physical education in Ghana include developing personal qualities such as competence in students and generating interest in physical education and sports (Ghana Education Service, [GES], 1987). The GES has also reiterated the need to have competent teachers in the implementation of the school physical education syllabus; therefore few primary schools in Ghana have physical education specialists (detached teachers). There is the need to assess the impact these specialist teachers have on students in relation to classroom teachers and the extent to which the aims of physical education are being achieved. The primary purpose of this study was to determine if differences existed between students taught by physical education specialists and those taught by classroom teachers in their perceptions of competence, affect, and persistence in sports. It was hypothesized that students who were taught by physical education specialists would be significantly different from those taught by non-specialist teachers in their perceptions of competence, affect, and persistence. A sample of 483 class six boys and girls from four regions in Ghana completed items measuring perceptions of competence, affect, and persistence in sports. A multivariate analysis of variance (MANOVA) revealed significant main effects for category (p<.001) and gender (p<.05) in each of the four regions examined. Students taught by specialist teachers differed significantly from those taught by classroom teachers in their perceptions of affect and persistence in sports. Findings also showed that students in specialist teacher and non-specialist teacher categories did not differ significantly in their perceptions of competence. Furthermore, results indicated that the significant gender effect was minimal and not meaningful. Overall, the present study provided further evidence of the influence of physical education specialists on amount of enjoyment students derive from sports. Findings also suggest the need for Ghanaian physical education teachers to improve upon their modes of teaching in order to enhance their students' competence perceptions. Attempts should also be made to validate Harter's (1985) Self-Perception Profile for Children for use within the Ghanaian culture and to find those specific areas on which students base their competence judgments. / Graduation date: 1998