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THE SATIRES OF EDWARD YOUNGCrowell, Richard Bruce, 1930- January 1967 (has links)
No description available.
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A test of Fiedler's contingency theory of leadership effectiveness using the teacher probation committee in Quebec/Martin, Yvonne Marjorie January 1973 (has links)
No description available.
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"Lawrence of Arabia" : the man and the mythJackson-Adams, Virginia, 1940- January 1968 (has links)
There is no abstract available for this thesis.
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New light on E.E. Cummings' drama, HimBast, Doreen Minsinger January 1986 (has links)
E. E. Cummings' avant-garde drama, Him (1927) is the subject of this study. As poet and painter, Cummings drew a picture of the play for the cover of the "sacrosanct" [his word) first edition. This picture is a unique psychological rebus-mandala. The rebus concept of the ancient Chinese picture puzzle was used by Freud as an indicator of mental illness and progressive cure. The related mandala was adopted by Carl Jung as a universal logo or archetypal symbol of the transcending psyche. Cummings' remarkable rebus-mandala cryptically depicts the themes of Him which involve the archetypes of birth and death and the poet's quest for love and transcendance. The play revolves like a prism in the mirror and its artist's symbol is the mystical mirror mandala showing E. E. Cummings' signature written in a mirror.Voluminous "Notes for the Plays" in the unsurpassed Harvard Houghton Library illuminate mysteries about the misunderstood Him. Cummings' own suggested references for understanding the play are introduced by his comment: "I feel that anyone who is seriously interested in Him will get a good idea of the way it's made if he or she will run through the following references."Chapter One: Cummings' Rubik-cube writing style.Chapter Two: 1. Cummings' "Notes for Him," includes a metaphor study; 2. An examination of his authorized shortened version of the play which enables a director to prepare a script from this chapter; 3. Structure: The word or logos as the "microcosm in the macrocosm."Chapter Three: 1. The unique mirror mandala is a crystal or visual equivalent of the play. 1 t is a logo of Him as a universal monomyth. 2. Extensive references that key the acts and scenes of Him to twelve noted psychological sources.Chapter Four: 1. Explication of the twenty-one scenes in order (100 pp.) on four planes or levels: Freudian, Jungian archetypal theory, literary and poetic considerations and transcendental theory 2. Play is concluded by a ten-column matrix showing inter-relationships of structure, theme, staging, and characters for a skeletal summary (coda) for the intricate play.Bibliography and 103 topics for research papers. The play is well suited to dramatic theory and seminar study.
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Mariculture and some physical and chemical properties of the agar of Gracilaria tikvahiae McLachlan from P. E. I.Smith, Allan H. January 1979 (has links)
No description available.
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Faith of whose fathers? a critique of the presuppostional framework of E.O. Wilson's sociobiological synthesis /McDougall, Daniel Thomas. January 1987 (has links)
Thesis (M.C.S.)--Regent College, 1987. / Abstract. Includes bibliographical references (leaves 168-183).
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Rhetoric and redress Edward Hopper's adaptation of the American sublime /Crouch, Rachael M. January 2007 (has links)
Thesis (M.A.)--Ohio University, August, 2007. / Title from PDF t.p. Includes bibliographical references.
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"... damit keiner zugrunde gehe" zur Notwendigkeit und Bedeutung einer existentiellen Christologie in der fortgeschrittenen Moderne im Anschluss an Karl Rahner und Edward SchillebeeckxLoiero, Salvatore January 2004 (has links)
Zugl.: Bamberg, Univ., Diss., 2004/2005
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From the Wilderness Act to the Monkey Wrench Gang seeking wild nature in American environmental writing, 1964-1975 /Ryan, Michael C. January 2007 (has links)
Thesis (Ph.D.)--Ohio University, November, 2007. / Title from PDF t.p. Includes bibliographical references.
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Inclusion, exclusion, and transformation representing slavery through Edward Savage's "The Washington Family" /Schwab, Tess. January 2007 (has links)
Thesis (M.A.)--University of Delaware, 2007. / Principal faculty advisor: Wendy Bellion, Dept. of Art History. Includes bibliographical references.
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