Global ETD Search

1	Das amerikabild im werk Edward Albees : eine imagologisch-didaktische analyse / Eisenmann, Maria. January 2004 (has links) Texte remanié de: Dissertation--Fakultät II der Julius-Maximilians-Universität Würzburg angenommen, Allemagne, 2004. / Bibliogr. p. 359-402. Albee, Edward, Albee, Edward,
2	Chasing a Dream: The Formulation of American Identity in the Plays of Edward Albee Kittredge, James January 2006 (has links) Edward Albee's late-career plays contain realistic characters who struggle to create identities for themselves in an America still clinging to misbegotten cultural ideals of the 1950s (e.g. power, money, the "perfect" family). This thesis seeks to give these relatively unexamined later plays the attention they deserve. Therein, Albee's conception of the American Dream is defined through an analysis of essays on post-World War II American domestic social attitudes. The playwright's biography is also examined. I then discuss Albee's stylistic and thematic groundwork by way of criticism of several early plays (The Zoo Story, The American Dream, Who's Afraid of Virginia Woolf?), followed by original textual analysis of three later plays (Three Tall Women, The Play About the Baby, The Goat, or Who is Sylvia?) in an attempt to uncover how Albee's comment on American cultural mythology has changed since the beginning of his career. Edward Albee dramaturgy criticism twentieth century american drama
3	Edward Albee's Tiny Alice : alienation and desire in the religious subject / Torma, Frank January 1987 (has links) Thesis (M.A.)--Ohio State University, 1987. / Includes vita. Includes bibliographical references (leaves 74-77). Available online via OhioLINK's ETD Center.
4	Une anatomie du sacrifice dans le théâtre d'Edward Albee et de Michel Marc Bouchard An anatomy of sacrifice in plays by Edward Albee and Michel Marc Bouchard / Martel, François, January 2006 (has links) Thèse (M.A.)--Université de Sherbrooke (Canada), 2006. / Titre de l'écran-titre (visionné le 6 mai 2008). In ProQuest dissertations and theses. Publié aussi en version papier.
5	De två kulturernas dialektik : Edward Albee, C. P. Snow och den dramatiserade epistemologin Tranvik, Andreas January 2019 (has links) Since its publication and first performance, Edward Albee’s Who’s Afraid of Virginia Woolf?, has often been interpreted with regard to the theme of truth and illusion. A less studied, but nonetheless important, aspect of the drama concerns its relation to C. P. Snow’s concept of the two cultures. In this essay, I argue for the convergence of these two discussions, resulting in an epistemological understanding of Albee. From this mode of interpretation, not only is a rejection of the two cultures noticed, but also a dramatic movement towards a third culture. Thus, Who’s Afraid of Virginia Woolf? is treated as an epistemological drama of ideas. Edward Albee C. P. Snow Who's Afraid of Virginia Woolf? two cultures epistemology drama of ideas Edward Albee C. P. Snow Vem är rädd för Virginia Woolf? två kulturer epistemologi idédrama General Literature Studies Litteraturvetenskap

1

Page generated in 0.0395 seconds