NDLTD Global ETD Search
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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.

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Showing 1 to 3 of 3 (0.046 seconds)

Spelling suggestions: "subject:"edward copper"" "subject:"edward chopper""

1

Edward Hopper: An Analysis of His Art

Stine, Stephen C. January 1961 (has links)
No description available.
Fine Arts
Edward Hopper
Criticism and interpretation
2

Rhetoric and Redress: Edward Hopper's Adaptation of the American Sublime

Crouch, Rachael M. 27 September 2007 (has links)
No description available.
Art History
Visual rhetoric
Edward Hopper
American Sublime
Urban sublime
American landscape painting
3

Nighthawks in The Age of Anxiety. Dílo Edwarda Hoppera čtyřicátých let 20. století a "barokní ekloga" Wystana Hugha Audena z perspektivy intermediality. / Nighthawks in The Age of Anxiety. The work of Edward Hopper of the 1940s and a "Baroque Eclogue" by Wystan Hugh Auden from the perspective of an intermediality.

Murár, Tomáš January 2016 (has links)
The main aim of the Master Thesis is the work of the 1940s by the American painter Edward Hopper (1882-1967) in a relationship to the long poem by Wystan Hugh Auden The Age of Anxiety. A Baroque Eclogue (1947). The Thesis in ten chapters researches Hopper's painting Nighthawks (1942), which is considered to be one of the most important works by Hopper from the war years. Unique position of this painting is reconstructed through intermedial projections and linkages towards the Auden's poem. Next to the interpretation of the intermedial relations, in the centre of the Thesis are time-space relations to Hopper's painting semantics due to period thoughs of temporality, atemporality and aperspectivism. An attention is also paid to the relation of the painting and phenomenology of temporal consciousness and continuance in connection with semantics of the space as "heterotopia".

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