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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 51 to 60 of 312 (0.061 seconds)Spelling suggestions: "subject:"6electronic music"" "subject:"ielectronic music""
| 51 |
Voussoirs for large orchestra and electronic tapes /Montague, Stephen January 1972 (has links)
No description available.
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| 52 |
Territorios : for percussion ensemble and digital sounds on tapeBudón, Osvaldo, 1965- January 1995 (has links)
No description available.
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| 53 |
RPM : for large ensemble and solo turntablistLizée, Nicole. January 2000 (has links)
No description available.
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| 54 |
Concerto for violin (with contact microphone) and orchestra by William Edward Miller.Miller, William Edward. January 1976 (has links)
Print portion available via link; print score has not been digitized but is available for consultation in McGill University Library's Rare Books and Special Collections (ROAAR)
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| 55 |
An interactive CD-ROM for the instruction of 'classic' sound synthesis methodologies / Title on accompanying CD-ROM: ICISS, interactive CD-ROM for the instruction of sound synthesis / Interactive CD-ROM for the instruction of sound synthesisLadd, Michael J. January 1999 (has links)
The purpose of this study was twofold: first, to collect information relating to `classic' sound synthesis methodologies which have formed the basis of current synthesis methods into one comprehensive report, and secondly, to describe and develop an interactive CD-ROM as a new tool for the instruction of these synthesis methods. The historic trend has been the acquisition of sound synthesis through direct interaction with a particular piece of software or hardware. The intentions of this interactive media are to allow students to form conceptual knowledge, and develop the ability to perceive timbral differences produced by these methods. This environment allows students to interact at their own speed and assist in customizing their learning development.
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| 56 |
Refractions a collection of three pieces for solo instruments and fixed electronic media /Sosa Ortega, Jorge Raymundo, Rudy, Paul, January 2008 (has links)
Thesis (D.M.A.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2008. / First piece for amplified clarinet and fixed electronic media, the second piece for electric guitar and fixed electronic media, and the third piece for amplified high voice (soprano or tenor) and fixed electronic media. "A dissertation in music composition." Advisor: Paul Rudy. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Apr. 14, 2009 Online version of the print edition.
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| 57 |
Software synthesis - representation and success : an exploration of the impact of representational technique on the attitude and performance of expert MIDI users transferring to a software synthesis environmentPrince, Rosalie Scott January 2000 (has links)
No description available.
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| 58 |
Interpretive electronic music systems : a portfolio of compositionsRawlinson, Julian Dean January 2011 (has links)
A portfolio of electronic music compositions employing adaptable controllers, graphic notation, and custom software performance environments. The portfolio is comprised of scores, recordings, and supporting software and audio files for the following: Short Circuit; Sample & Hold; Mute | Solo; NCTRN; Radio | Silence; and Please use the tramps provided. Supplementary files include alternative audio and video recordings of some of the works listed above, additional software documentation, and a video recording of a structured improvisation featuring the controllers and software used in this portfolio.
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| 59 |
Computer SimulacraPhelps, James D. (James Dee) 12 1900 (has links)
Computer Simulacra is a musical work composed for amplified instrumental ensemble and computer instruments on tape. It is a computer-assisted work, composed with the help of a stochastic compositional algorithm, called PTERIO, designed by the composer.
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| 60 |
Sonic obscurity : six episodes varied approaches to modal composition /Miller, Daniel Warden. January 2008 (has links)
Thesis (M.A.)--York University, 2008. Graduate Programme in Music. / Typescript. Includes bibliographical references. Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR38851
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