Thesis (D.M.A.)--University of North Texas, 2002. / For orchestra, guitar and computer generated sounds. Duration: 23:45. Compact disc contains computer-generated and processed sounds. Includes bibliographical references (p. ciii-cvii).

Trails by a River, for Large Orchestra and Electronic Sounds (MAX/MSP), is a work in which different compositional techniques come together. The work can be characterized as being in an eclectic style, involving aspects of practices such as micro polyphony, pointillism, spectralism, computer music, tonality, and other non-tonal categories. Although it cannot be referred to as a work that represents a style with a specific ethno-cultural background, the rhythmic foundations of certain parts are derived from some modern Afro-Brazilian folk genres, such as candomblé, mostly present in the Northeastern part of that country. The electronic part is conceived as a timbral extension of the orchestral sounds, and the MAX/MSP patcher used to generate it has a graphical interface that is designed to be a compositional tool. Hence, it can also be used for future projects. The overall formal design of the work can be described as being a multi-part form, with an almost continuous flow between the sections.

Thesis (D.M.A.)--University of Texas at Austin, 2007. / Vita.

My composition, Estruendos, is a work for large symphonic orchestra, guitar and computer-generated and processed sounds on CD. The work lasts 23 minutes and 45 seconds. My dissertation is composed of two parts: Part One comprises the analysis and Part Two comprises the score. Part One gives a brief background of my compositional dialect and aesthetics. It also includes a discussion of the compositional process and general overview of Estruendos. In addition, it illustrates the primary role the placement of sonic events in time and timbral structure play in the pathos of Estruendos.