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The Use of the Bible in George Eliot's FictionJones, Jesse C. 05 1900 (has links)
The purpose of this study is to demonstrate George Eliot's literary indebtedness to the Bible by isolating, identifying, and analyzing her various uses of Scripture in her novels. This study is an attempt to demonstrate in some detail George Eliot's literary indebtedness to the Bible, to show that in the course of her fictional career she made virtually every possible use of the Bible. She at times presents Bibles themselves as significant objects, she refers to the Bible-reading habits of various characters, and she quotes, paraphrases, and alludes to the Bible. She employs biblical words, passages, narratives, characters and objects for purposes of scene-setting, symbolism, authorial commentary, characterization, and presentation and underscoring of basic themes. Sometimes she uses the Bible to achieve a serious tone; at other times, she uses it with humorous intent. Sometimes she sounds traditionally Judaeo-Christian and employs the Bible to exhort the reader in homiletic fashion, but just as often she uses biblical material to preach her own Victorian gospel. The purpose of this study is to isolate, identify, and critically analyze these various uses of the Bible which together produce the recurrent Biblical overtones so notable in the novels of George Eliot.
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Teaching sympathy in rural places readers' moral education in nineteenth-century British literature /Han, Kyoung-Min. January 2006 (has links)
Thesis (Ph. D.)--Ohio State University, 2006. / Available online via OhioLINK's ETD Center; full text release delayed at author's request until 2007 Jun 15
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Darwinismus und literarischer Diskurs in England am Beispiel von George Eliot und Thomas Hardy /Michaelis, Heike. January 1900 (has links)
Dissertation--Marburg--Universität, 2003. / Bibliogr. p. 255-273.
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Opium use in Victorian England : the works of Gaskell, Eliot, and Dickens /Henderson, Jessica Rae. January 2009 (has links)
Thesis (M.A.)--Boise State University, 2009. / Includes bibliographical references (leaves 93-100).
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Angelic airs, subversive songs music as social discourse in the Victorian novel /Clapp-Itnyre, Alisa January 1900 (has links)
Texte remanié de : Thèse de doctorat : ? : University of Illinois, Urbana-Champaign : 1989-96. / Bibliogr. p. 207-219. Index.
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Female and feminine, but not feminist in the principal works of Charlotte Bronte, Elizabeth Gaskell, and George Eliot /Kornstein, Christie Lee. Fenstermaker, John J. January 2003 (has links)
Thesis (M.A.)--Florida State University, 2003. / Advisor: Dr. John Fenstermaker, Florida State University, College of Arts and Sciences, Dept. of English. Title and description from dissertation home page (viewed Apr. 7, 2004). Includes bibliographical references.
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Gothic pathologies : disease and discourse in nineteenth-century narrative /Mahato, Susmita, January 2003 (has links)
Thesis (Ph. D.)--University of Oregon, 2003. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 196-203). Also available for download via the World Wide Web; free to University of Oregon users.
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Bodies in the "house of fiction" : the architecture of domestic and narrative spaces by Jane Austen, Elizabeth Gaskell and George Eliot /Kagawa, P. Keiko, January 2002 (has links)
Thesis (Ph. D.)--University of Oregon, 2002. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 261-270). Also available for download via the World Wide Web; free to University of Oregon users.
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Reiteration as resistance : performativity in the novels of Charlotte Yonge, George Eliot, and Margaret Oliphant /Bauer-Gatsos, Sheila Catherine. January 2002 (has links)
Thesis (Ph. D.)--Lehigh University, 2003. / Includes vita. Includes bibliographical references (leaves 201-207).
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Clergymen in George Eliot and Thomas Hardy.Hersh, Jacob. January 1951 (has links)
So many critics have pointed to George Eliot as a symbol of the nineteenth century's religious flux that the idea is becoming a commonplace one. House, for example, in "Qualities of George Eliot's Unbelief", concedes that Eliot is not a typical Victorian, "Yet her history her intellectual and spiritual and moral history -- exemplifies so many trends and qualities of Victorian thought that she deserves to be considered alone." [...]
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