Thesis (doctoral)--Åbo akademi, 1999. / Extra t.p. with thesis statement inserted. Includes filmography/videography (p. 373-374), bibliographical references (p. 374-390), discography (p. 391-393), and index.

Thesis (doctoral)--Åbo akademi, 1999. / Extra t.p. with thesis statement inserted. Includes filmography/videography (p. 373-374), bibliographical references (p. 374-390), discography (p. 391-393), and index.

Det här arbetet handlar om designa ett effektelektronikkort till National Instruments utvecklingsplattform ELVIS II, som skakunna styras från programmet LabVIEW. Kortet är tänkt att kunna användas i kurser inom effektelektronik på högskolenivåoch har designats för att passa ELVIS II's hårdvaruspecifikationer. I arbetet har alla kretsar byggts upp och simulerats iMultisim. Kretsarna som designats är en step-up-konverterare, en step-down-konverterare, en likriktare, en växelriktare ochen variabel last. Simuleringarna visade att kretsarna fungerar som tänkt och vad som skiljer sig från det teoretiska. Någotsom ofta visade sig i simuleringarna var att strömförbrukningen under korta perioder kraftigt kan överstiga det ELVIS II kanleverera, vilket behöver undersökas närmare. Rapporten innehåller scheman och simuleringsresultat från alla kretsar, vadsom är kvar att lösa på dessa och hur dessa kan anslutas till ELVIS II.

Vortrag UNIX-Stammtisch 10/96

The areas of investigation are the portrait, the gaze, the American filmmaker Errol Morris, representation of reality and subcultures. These are discussed within an historical, technical, cultural and social framework. Colour, the film theorist Bill Nichols, the filmmaker Errol Morris are discussed with reference to the central gaze and what constitutes reality. Taking on another identity, the role of subcultures and my influences as a photographer are explored within this context. Work for Examination Other Lives is a photographic work consisting of portraits including: civil war re-enactors who believe that the war between the northern and southern states of America still exist Elvis Presley impersonators and fans who believe that Elvis Presley still lives people who take on another identity as scarecrows in the context of a local festival people who take on another identity as medieval knights.

The areas of investigation are the portrait, the gaze, the American filmmaker Errol Morris, representation of reality and subcultures. These are discussed within an historical, technical, cultural and social framework. Colour, the film theorist Bill Nichols, the filmmaker Errol Morris are discussed with reference to the central gaze and what constitutes reality. Taking on another identity, the role of subcultures and my influences as a photographer are explored within this context. Work for Examination Other Lives is a photographic work consisting of portraits including: civil war re-enactors who believe that the war between the northern and southern states of America still exist Elvis Presley impersonators and fans who believe that Elvis Presley still lives people who take on another identity as scarecrows in the context of a local festival people who take on another identity as medieval knights.

Originality is an important social and cultural value. In pop music its influence is comprehensive: it shapes the economics of an industry through copyright law, and the temperament of musical culture through its place as keystone of the prevailing Romantic tradition. The concept extends beyond issues of artistic and technical innovation: a point of origin is fundamental to the stories we tell about pop. What these stories tell us about ourselves and the way we use music, though, may be more complex than the orthodoxy allows; while the moderns from Eliot and Frye through Barthes and Foucault have sliced and diced originality in text, its interrogation in popular music is overdue. This study seeks to address the social and cultural context, the implications for individual identity and the issues of creative intention, status, popularity and profitability that come into play at those moments when the cultural honours of “originality” are conferred. Working from archival and textual resources, the research explores the entry of “black music” into pop culture with the Fisk University Jubilee Singers, who can be seen both as the source of several cultural streams which remain influential in popular music, and as the source of a popular mythology which has become detached from historical fact. It then proceeds to three case studies. The problem of what it means to start something new is developed in the story of Elvis Presley and the foundation myth of rock & roll. The professional use of originality is interrogated in the work of the Beatles, a foursome with a strong claim to be the greatest plagiarists, if not the greatest originators in pop. And the artistic idea of originality and its contingencies are addressed through the case of Lou Reed and the changing status of his album Metal Machine Music. A final chapter assesses the conclusions which can be made from these explorations, and the implications for future research.

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Vortrag UNIX-Stammtisch 10/96