Thesis (M.A. in History)--Louisiana Tech University, November 1978. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 100-102).

Thesis (M.A. in History)--Louisiana Tech University, November 1978. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 100-102).

Thesis (Ph. D.)--Lehigh University, 2003. / Includes vita. Includes bibliographical references (leaves 160-174).

No description available.

Thesis (Ph.D.)--Baylor University, 2008. / Includes bibliographical references (p. 421-453)

abstract: Anglo-Saxon women wielded a remarkable amount of power in the early English church. They founded some of the country’s most influential institutions, and modern Christians continue to venerate many of them as saints. Their path to canonization, however, was informal—especially compared to men and women who were canonized after Pope Gregory IX’s decree in 1234 that reserved those powers for the pope. Many of Anglo-Saxon England’s most popular saints exhibited behaviors that, had they been born later, would have disqualified them from canonization. This project examines how the problematic lives of St. Æthelthryth of Ely and St. Edith of Wilton were simultaneously doubted and adopted by post-Norman Christians. Specifically, it considers the flawed ways that the saints, petitioners, and their communities were simultaneously doubted and legitimized by late-medieval hagiographers. / Dissertation/Thesis / Doctoral Dissertation English 2018

Submitted by LUÍS GERALDO ROCHA null (luis.geraldo21@hotmail.com) on 2017-11-07T12:32:58Z No. of bitstreams: 1 Dissertação - .pdf: 2325121 bytes, checksum: 1b2c60bc933f3094a795207665caef8e (MD5) / Approved for entry into archive by Luiz Galeffi (luizgaleffi@gmail.com) on 2017-11-21T13:35:57Z (GMT) No. of bitstreams: 1 rocha_lg_me_bauru.pdf: 2325121 bytes, checksum: 1b2c60bc933f3094a795207665caef8e (MD5) / Made available in DSpace on 2017-11-21T13:35:57Z (GMT). No. of bitstreams: 1 rocha_lg_me_bauru.pdf: 2325121 bytes, checksum: 1b2c60bc933f3094a795207665caef8e (MD5) Previous issue date: 2017-10-27 / Esta dissertação analisa o trabalho do crítico de cinema Ely Azeredo, a partir de um corpus de vinte e sete artigos sobre o cinema brasileiro publicados entre 1956 a 1973, nos periódicos cariocas Tribuna da Imprensa e Jornal do Brasil. Este recorte temporal foi delimitado levando em consideração as profundas transformações e manifestações fílmicas inovadoras que a cinematografia do país apresentou nesse período. Nessa fase, surge o Cinema Novo, influenciado pela Neorrealismo Italiano e pela Nouvelle Vague Francesa, cujo objetivo era realizar uma leitura a partir do seus filmes dos problemas sócio-políticos do Brasil. Paralelamente, o Cinema Marginal surge como contraponto ao Cinema Novo, alegando que o cinema nacional só poderia criar obras legitimamente brasileiras, a partir do momento em que aceitasse sua posição de subdesenvolvido, trabalhando todos os elementos do “dejeto industrial” que era despejado na cultura brasileira. Por fim, tem-se o advento das comédias eróticas, que seriam rotuladas, no futuro, como “pornochanchadas”, pois o gênero possuía caráter popular ao combinar a comédia de costumes e o erotismo. Durante esse período, o Brasil passou por um golpe militar, que depôs o então Presidente João Goulart, e, consequentemente, instaurou uma ditadura no país, que perdurou por 21 anos (1964-1985), fazendo com que a produção cinematográfica brasileira fosse afetada, direta ou indiretamente por esse cenário político. Com o propósito de investigar a construção de sentido em uma produção midiática específica, representada pelas críticas de Ely Azeredo, a metodologia adotada para a análise do corpus foi a Análise do Discurso de linha francesa. / This dissertation analyzes the work of the film critic Ely Azeredo, based on a corpus of twenty -seven articles on Brazilian cinema published between 1956 and 1973, in the Rio’s Tribuna da Imprensa and Jornal do Brasil periodicals. This temporal cut was delimited taking into account the profound transformations and innovative filmic manifestations that the cinematography of the country presented in that period. In this phase, Cinema Novo appears, influenced by Italian Neorealism and by the French Nouvelle Vague, whose objective was to make a reading from his films of the socio-political problems of Brazil. At the same time, Marginal Cinema emerges as a counterpoint to Cinema Novo, claiming that national cinema could only create legitimately Brazilian works, from the moment it accepted its underdeveloped position, working all elements of the "industrial plot" that was dumped in the culture Brazilian. Finally, one has the advent of erotic comedies, which would be labeled, in the future, as "pornochanchadas", since the genre had a popular character when combining comedy of customs and eroticism. During this period, Brazil underwent a military coup, which deposed the then President João Goulart, and, consequently, established a dictatorship in the country, which lasted for 21 years (1964-1985), causing Brazilian cinematographic production to be affected, directly or indirectly through this political scenario. In order to investigate the construction of meaning in a specific media production, represented by the critics of Ely Azeredo, the methodology adopted for the analysis of the corpus was the French Line Discourse Analysis.

The stratal architecture of the upper Ely Limestone and Mormon Gap Formation (Pennsylvanian-early Permian) in western Utah reflects the interaction of icehouse sea-level change and tectonic activity in the distal Antler-Sonoma foreland basin. Eighteen physically and biostratigraphically corelated stratigraphic sections provide a database for tracing Permo-Carboniferous boundary strata over a north-south distance of 60 km. These formations comprise 14 unconformity-bounded depositional sequence: three in the upper Ely (UE1-UE3) and 11 in the Mormon Gap Formation (MG1-MG11). Conodont and fusulinid faunas provide precise biostratigraphic information for a number of parasequences in the upper Ely and Mormon Gap formations. This paleontological information clarifies the tectonostratigraphic evolution of the distal foreland basin (study area) and permits correlation with events in the proximal foreland (Nevada) and with depositional sequences in the North American midcontinent. The stratigraphic succession is divided into three depositional intervals (I-III) with distinctive differences in constituent facies and facies stacking patterns, the regional continuity of cycles, the relative abundance of dolomite and limestone, calculated sediment accumulation rates, and the frequency and inferred duration of sequence-bounding hiatuses. These reflect the interaction of high-frequency sea-level change on an intermittently subsiding distal foreland basin. Subsidence is generally continuous during the Bashkirian through middle Moscovian (Interval I) and again during the Artinskian (Interval II). During the late Moscovian through Sakmarian stages (Interval III), subsidence rates dropped and sedimentation occurred mainly in consequence of second-order sea-level rise associated with the highstand of the Lower Absaroka II seas. Strata in the distal foreland are bounded by low-relief disconformities of variable duration in stark contrast to the angular unconformities and intensely deformed tectonostratigraphic domains that characterize the proximal foreland basin in north-central Nevada.

No description available.