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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
31

Self-making: Acts of performance in the Victorian novel

Quirk, Catherine January 2020 (has links)
No description available.
32

The unproductive image: film and the interruption of work

Velasquez Buritica, Juan Camilo January 2020 (has links)
No description available.
33

A dream deferred: jazz writing across the black Atlantic

Glasman, Eden January 2015 (has links)
No description available.
34

Mental distress and the African and Caribbean diasporas in twentieth-century British fiction

Sanyal, Aparna January 2020 (has links)
No description available.
35

Sir Edmund Gosse and the critical portrait.

Phelan, Lewis J. January 1929 (has links)
No description available.
36

Interrogating individualism: Philosophy in the modern Canadian novel

Pinder, Kaitlyn January 2016 (has links)
No description available.
37

The development of stage costuming in England.

Gray, Leona. January 1928 (has links)
No description available.
38

“I have pray’d for madness as a blessing”: Poetics of Disorder in Lord Byron's "Manfred"

Solimine, Daniela January 2021 (has links)
No description available.
39

Adaptation as Anarchist: A Complexity Method for Ideology-Critique of American Crime Narratives

Mecholsky, Kristopher 13 July 2012 (has links)
Particularly through their relation to ideology, crime narrative adaptations expose the conflict between individuals and communities on one side and the State on the other. Adaptations take the already defamiliarizing effect of narrative and continue to defamiliarize, creating a narrative cubist effect through various audiences and discursive orderings of events. Hence, they question the ideological prefiguring that lies at the foundation of narrative understanding. Insofar as ideologies are simplified ways to legitimate actions and project images of identity, the fact that a societys narratives necessarily inherit ideology from the State obscures that society and States inevitable deviations from their self-images. Ideology misrepresents that which it attempts to legitimate. In order to critique ideological influence, the position from which total, reflective cultural study can extend is the vantage point that consistently and actively questions culture to its limits. It can only come from a position in which the audiences freedom from domination is maximized. Cultural study and criticism thus arises most completely and honestly when it comes as close as it can from without ideology. By definition, the opposite of ideology is anarchy. In this dissertation I argue that adaptations channel a mechanism by which anarchist principles emerge from the ideological constraints obliged by the States pursuit of legitimacyconstraints which are inherent in all cultural narratives. Focusing on transatlantic narrativizations of crime eventsdifferent tellings of historical criminal events in view of American and European interactionI demonstrate that adaptations, as dynamic systems of discourse, are self-driven toward anarchist critiques that splinter traditional Western ideologies. Overall, I make a three-part argument, first suggesting a method (based in complexity theory) for critical adaptation studies, then using that method to demonstrate how transatlantic America crime narrative adaptations reveal cultural identity struggles and necessarily tend toward anarchism, and lastly describing how the process of adaptation likewise reflects anarchist principles. Adaptation is anarchist. The anarchist method of adaptation study I propose will indicate 1) the degree to which American crime narrative adaptations stem from and contribute to various ideologies, and 2) how they can make clear those ideologies through necessary, consistent defamiliarization.
40

Tracking the Trickster Home: The Animal Nature of Words in the Writing of Gerald Vizenor and Barry Lopez

Hawley, Steven Jubitz 16 March 2007 (has links)
To be uploaded later.

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