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Sir James Barrie als Dramatiker ein Beitrag zum englischen Drama des zwanzigsten Jahrhunderts /Eschenauer, Walter, January 1929 (has links)
Thesis--Halle-Wittenberg. / Vita. Includes bibliographical references (p. [87-91]).
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A study of patriotism in the Elizabethan drama ...Lindabury, Richard V. January 1900 (has links)
Thesis (Ph. D.)--Princeton University, 1930. / Bibliography: p. [203]-212.
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A study of patriotism in the Elizabethan drama ...Lindabury, Richard V. January 1900 (has links)
Thesis (Ph. D.)--Princeton University, 1930. / Bibliography: p. [203]-212.
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The physical attributes of the Japanese kabuki stage in relation to theElizabethan stage, with an emphasis upon their influence upon acting formDodds, Lynda Lee, January 1968 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1968. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Die Volksszenen bei Shakespeare und seinen VorgängernOehme, Robert, January 1908 (has links)
Thesis--Friedrich-Wilhelms-Universität zu Berlin.
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The Jeremy Collier stage controversy, 1698-1726Rose Anthony, January 1900 (has links)
Thesis--Marquette University. / Reprint of the 1937 ed. Bibliography: p. [300]-318.
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The German drama in English on the New York stage to 1830Baker, Louis Charles. January 1917 (has links)
Thesis (Ph. D.)--University of Pennsylania.
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The forgotten contributions and comedies of Dion BoucicaultLynaugh, John Broderick, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1974. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 229-236).
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The German drama in English on the Philadelphia stage from 1794 to 1830Brede, Charles Frederic. January 1918 (has links)
Thesis (Ph. D.)--University of Pennsylvania, 1905. / Published also without thesis note.
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Gao Xingjian vs. Martin Crimp in between modernism and postmodernismMazzilli, Mary January 2009 (has links)
This thesis deals with the plays by Gao Xingjian - a Chinese contemporary playwright and Nobel Prize winner for literature in 2000 - and Martin Crimp a contemporary English playwright. The plays from both authors will be looked at from a comparative perspective within the theoretical framework linked to the debate between modernism and postmodernism, as inspired by Calinescu's theory. Calinescu's theory is based on the idea that Postmodernism is a 'face of modernism': he speaks about recurrent aspects ('similarities') of Modernism in Postmodernism, not only in terms of the repetition of patterns from the past in the present culture, but in terms of a natural historical evolution of Modernism into new cultural forms. The aim of this thesis is, therefore, to prove Calinescu's idea of continuity between Modernism and Postmodernism through the work by the two playwrights and by doing this it inevitably demonstrates a link between two writers coming from two different continents, hence a connection between Eastern and Western Literature. This thesis carries out an investigation into the two \vriters' dramatic texts and searches for signs of modem and postmodern elements and highlights how these elements coexist. In particular, in each chapter the thesis will carry out a close reading analysis of one or more plays by each author: in the case of Gao, we focus on post-exile plays, written after he left China in 1986 and are analysed chronologically; in the case of Crimp, the plays in question are not in strict chronological order but almost in parallel order to Gao's plays as they were written from the 1990s up to the present day.
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