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This thesis examines Erasmus’s interpretation of the Sermon on the Mount in his Paraphrase on Matthew. The argument is that Erasmus offers a particularly rich reading of the Sermon through his use of the church fathers, his intratextual interpretive habits, and his exegetical insights. Chapter 1 briefly surveys major contributions for the study of the Paraphrases and provides a general introduction to the Paraphrases. Chapter 2 examines Erasmus’s frequent use of the church fathers throughout the Sermon and suggests that he shapes their works to meet his rhetorical needs. Chapter 3 surveys the intratextual connections Erasmus makes within the Sermon itself and between the Sermon and the rest of Matthew. Chapter 4 presents a couple passage-level insights from Erasmus and a discussion of his tripartite structure through the center of the Sermon as reflections from exegetical history. Chapter 5 concludes with a summary of the argument.

Ce travail comporte 3 volumes: 1 (texte), 2 (illustrations), 3 (description de la bibliothèque d'Érasme et liste de ses éditions princeps). Le premier volume de texte étudie à la fois les rapports entre Érasme et ses imprimeurs et démontre comment cet humaniste a été l'un des premiers auteurs a participé activement à la production matérielle de ses œuvres, utilisant la mise en page et les différents éléments constitutifs du livre (page de titre, manchette, index, paragraphe, caractère typographique) pour tenter de maitriser la réception de son œuvre auprès de ses lecteurs. Ce travail contient trois parties: dans un premier temps, il suit Érasme pas à pas à la recherche d'un imprimeur idéal, puis à partir de 1514 et de sa rencontre avec Johann Froben à Bâle, il décrit les différentes formules utilisées par Érasme pour mettre en forme ses livres. Une troisième partie étudie les épîtres rédigées par ses imprimeurs. Elle montre que l'humaniste joue un rôle également important dans la revendication de ses imprimeurs à se présenter comme humanistes./This study has three volumes :1 (texte), 2 (illustrations), 3 (description of the library of Erasmus and the list of his editio princeps). The first volume studies the relations between Erasmus and his printers. He show that this humanist is the first to be implicated in the material production of his œuvre. He uses lay-out and differents elements of the book (tittle-page, marginalia, paragraph, index, types) to control the reception of his œuvre by the public. The first volume contains three parts: first, the chronological description of the writer searching an ideal printer. In the second part, after the meeting of Erasmus and Johann Froben in Basel in 1514, this study describes the different formules uses by Erasmus to constitute a new image of the modern book. In the last part, we describe the different letters of the Erasmus's printers. We show that Erasmus was also responsable of the revendication of his printers to be also the humanists. / Doctorat en Histoire, art et archéologie / info:eu-repo/semantics/nonPublished