Thesis (Ph.D.)--Indiana University, Dept. of Germanic Studies, 2009. / Title from PDF t.p. (viewed on Jul 7, 2010). Source: Dissertation Abstracts International, Volume: 70-10, Section: A, page: 3870. Adviser: William Rasch.

Honors Project--Smith College, Northampton, Mass., 2009. / Includes bibliographical references (p. 93-94).

Thesis (Ph. D.)--University of California, San Diego, 2005. / Vita. Includes bibliographical references (leaves 280-294).

Thesis (Ph. D.)--University of California, San Diego, 2005. / Includes bibliographical references (leaves 280-294). Also available on the Internet.

<p> The creative content contained within this thesis is comprised of two collections of short stories: <u>The Death of an Escargot (or Strange Feelings of Petrov)</u> and <u>&amp; Stories.</u> Together, these story collections represent the fruits of my labors as a student of the M.F.A. program at California State University at Long Beach. <u> The Death of an Escargot (or Strange Feelings of Petrov)</u> is a story cycle that places emphasis on experimentation and creative possibility. The second section, <u>&amp; Stories,</u> represents my engagement with more traditional methods, as well as an earnest attempt at giving voice to distinct communities that are often under-represented within the literary cannon. It is my intention that these stories be understood as representations of my interests as a writer, as well as artifacts to be considered as aides in the formation of my own creative identity.</p>

<p> "Historicity and the Romantic Novel in Britain and Russia" explores the engagement of early nineteenth-century Russian writers with contemporary British novels. Most studies of Russian fiction emphasize Russia's reliance on French models. Due to the profound shift in the understanding of history that occurred in Great Britain in the late eighteenth and early nineteenth centuries, however, the less studied and underappreciated British connection also played a formative role in the development of the Russian novel. During those years, the definition of history was broadened to include the previously excluded areas of social experience and private life. Imbued with a reflexive awareness of its task, British Romantic historicism purported not only to place the objects of study within their actual settings but also to invent situations in which historical events might have occurred. This general boost in historicist sensibility affected not only the development of the English-language novel, but also the emerging tradition of Russian fiction. The two parts of my dissertation each focus on two exemplary novels: in the first part, The Bride of Lammermoor by Walter Scott and Dead Souls by Nikolai Gogol; in the second, The Last Man by Mary Shelley and Russian Nights by Vladimir Odoevsky. In each case, I consider the mechanisms of self-renewal that allow the Romantic novel to depict historical pressures and adapt to them. Drawing on German idealist philosophy and Scottish Enlightenment historiographical models, I study the use of metaphor and allegory and the relation between such sub-genres as the gothic and grotesque, showing how they contributed to a reimagining of the role of history in Britain. In more extreme and fragmented forms, this new view of history then became the basis for a similarly radical recasting of history in Russia. Ultimately, I demonstrate how the prose of the Romantic novel in its rhetorical extravagance offered ways to enrich, redeem, and reimagine history.</p>

Thesis (Ph.D.)--Indiana University, Dept. of Comparative Literature, 2007. / Source: Dissertation Abstracts International, Volume: 68-07, Section: A, page: 2936. Adviser: Mihaly Szegedy-Maszak. Title from dissertation home page (viewed Apr. 9, 2008).

Thesis (Ph. D.)--University of Missouri-Columbia, 2004. / Typescript. Vita. Includes bibliographical references (leaves 265-279). Also available on the Internet.

Thesis (Ph. D.)--University of Missouri-Columbia, 2004. / Typescript. Vita. Includes bibliographical references (leaves 265-279). Also available on the Internet.

Thesis (Ph. D.)--University of California, Berkeley, 1987. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 347-353).