This thesis studies the interactions of vowel tone with consonantal voice. Briefly, tone-voice interactions refer to: (i) voiced--not voiceless--onsets block high tone spreading; (ii) voiceless--not voiced--onsets block low tone spreading; (iii) sonorant onsets are transparent to both tonal processes. There are many variations to these archetypical patterns of tone-voice interactions. I argue that these variations as well as the archetypical patterns can receive a revealing account from the phonological theory. Specifically, this thesis explores the Prosodic Hypothesis of Tone-Voice, which claims: (i) tone must be represented prosodically (namely, tone is associated to mora); and (ii) tone-voice relations must be expressed by conditions (namely, path conditions, proposed in Archangeli and Pulleyblank (in prep)). By exploiting tonal representations and conditions on tone-voice, the Prosodic Hypothesis provides a principled account of tone-voice in Ngizim, Ewe, and Nupe. The result is a principled theory that unifies the known phonetic and phonological facts about tone-voice and that makes testable predictions about the nature and type of expected tone-voice interactions. In addition to tone-voice, this thesis investigates a range of theoretical issues from tonal representations, to onset representations, to the privative voicing theory to Grounded Phonology (Archangeli and Pulleyblank in prep.). I demonstrate that detailed formal analyses of tone-voice can not only uncover facts about tone-voice, but can also make important contributions to phonological theory.

Thèse numérisée par la Division de la gestion de documents et des archives de l'Université de Montréal.

Thèse numérisée par la Division de la gestion de documents et des archives de l'Université de Montréal