There is no abstract available for this thesis.

x, 74 p. : ill. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. / Although the earliest depictions of Faustus portray him as an astrologer, very few publications to date have touched on the role of astrology in the life of this infamous character. Parallel to the decline in astrological sciences beginning in the seventeenth century, post-Scientific Revolution depictions of Faust have deemphasized astrology as a primary pursuit of the figure. I examine the status of astrology in four versions of the Faust(us) myth: The anonymous Historia von D. Johann Fausten and its English translation/adaptation as The English Faust Book, Christopher Marlowe's Doctor Faustus, Johann Wolfgang von Goethe's Faust, and Thomas Mann's Doktor Faustus. I argue that the decline in the status of astrology corresponds to historically weakening belief in the analogy of microcosm and macrocosm as epistemologically relevant and analyze the implication of the Faust figure in genuinely modem quandaries of skepticism and aesthetic representation. / Committee in Charge: Martin Klebes, Chair; Dorothee Ostmeier; Ken Calhoon

From Heaven, Through the World, to Hell is a theatrical piece which makes reference to various versions of the Faust legend. There are two versions of the piece: the full version for actress-singer, CD, computer, and four chamber ensembles (piano quintet, baroque trio, jazz quartet and modern ensemble), and the solo version for actress-singer, CD, and computer. The work explores the Faust legend within a technological musical theatre framework, and makes extensive use of live computer interaction using the Max/MSP programming environment. The singer interacts with the computer using an infrared sensor, allowing her to trigger as well as shape many of the sounds in the piece through physical gestures. This piece was written for g.e.m.s. (the Group of the Electronic Music Studio) as part of the McGill University Faculty of Music composer-in-residence program between 1998--1999.

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