M. Tech. Fine Arts / The research aim of the study was to investigate the way that Nandipha Mntambo and Mary Sibande have used the female form in their art to undermine harmful representations/myths of women from a third wave feminist and a post-colonial perspective, using semiotics. Semiotics can be used to establish how meaning is made and reality represented in signs. The impact of signs, codes, myths and ideology of society on the embodiment of the female was investigated using semiotics. Third wave feminism theories can be applied in the analysis of the artworks such as Butler's gender construction and Crash and Pruzinsky's viewpoint on the harmful and stereotypical assumptions about women in visual culture. The post-feminist viewpoints as discussed by Jones about women being portrayed either as housewives and mothers or as sex and consumer objects in visual media were highlighted. Post-colonial perspectives such as the dominant ideology of the colonial period fostering the creation of interrelated, socially constructed, controlling images of black womanhood were discussed. Racial and gender discrimination affected most black women in colonial times. Through the semiotic analysis of Nandipha Mntambo and Mary Sibande, as well as the author's own artwork, an examination of the ideology of patriarchy as well as the ideology of colonialism could be identified. The artists express pride in their heritage and traditions. The ideology of consumerism and the myth of beauty are subverted by the artists in their artwork. The myth of the maid can be observed in the artworks of Sibande and the author. All the artists subvert stereotypical representations of women in society.