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"Eight years ago, Sheila Buckworth's ten-year-old son, Michael, disappeared with another young boy. The authorities classified them as runaways--no ransom note, no reason to believe they were abducted. Now, Sheila thinks she knows what happened to Michael and wants Donald Youngblood to prove it. The case soon intersects with an FBI terrorist investigation when Youngblood and sheriff's deputy Bill Two-Feathers find themselves in the desert of southwest Arizona on the Tohono O'Odham Indian Reservation uncovering a sinister plot to inflict damage on the U.S. government. Racing against time to discover the lair of the terrorist group known as the Midnight Riders, Youngblood and the FBI must thwart the plan before the group can execute its "big event." Meanwhile, Youngblood's adopted daughter, Lacy, asks him to investigate the death of a classmate. Clay Carr, a local all-state football player, has crashed his car and killed his girlfriend. As Clay remains in a coma, Youngblood learns the crash was no accident. Working with his police-detective wife, Mary, he travels through a maze of dead ends trying to find the person responsible. Juggling two cases at the same time is nothing new for Donald Youngblood, who once again proves he is up to the tast."--BOOK JACKET. / https://dc.etsu.edu/alumni_books/1006/thumbnail.jpg

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This is a novel about a young boy on the cusp of puberty who discovers that his parents are part of a cult of witches. He runs away to escape both the implications of this discovery and, because of his prejudices toward magic, the power growing inside of him.

This collection of nine fiction stories explores the journeys of men and women who find themselves unable to continue on the path they've set for themselves. So often, the roads we follow are dictated by social conditioning. This collection considers how are paths are predetermined by social norms and follows the characters as they react to unexpected obstacles encountered in common scenarios. Will they forge new paths? Turn back? Or will they take a detour and return to their original road?

These stories provide a look at a Philadelphia family over decades.

These are twenty-four exercises in personal writing that observe an anonymous self in the apartment, who is writing, or reading, or looking at mundane things. The exercises are collected in four sections registering different iterations in self-recognition, as the anonymous, closely observed, changes from a shared commonplace to the particular and personal state. The exercises use prose paragraphs, lineation, and figures as a private methodology into the problem of writing: learning to see the self, thinking on the page, as a thing made from words.