Made available in DSpace on 2014-12-17T15:06:49Z (GMT). No. of bitstreams: 1 SmallyGM_DISSERT.pdf: 498597 bytes, checksum: 61a4b7c8073dafdc2ef9922698771f28 (MD5) Previous issue date: 2010-04-08 / This paper is divided into three chapters, which are structured as follows: in the first chapter, we examine the figure of death and its characteristics in the context of the work of Guimar?es Rosa, within a specific type, determining how this figure comes through " imposition "," no "," memory "and" ritual. " We intend to cover all the possibilities that this aspect denotes. In the second chapter, we found the incidence of the mirror as an analysis of our study, characterizing it as a stylistic condition can become a reading key, necessary for interpretation of the book "First Stories". The characterization of the mirror as an element of analysis has a theoretical foundation which stretches out along other literary works that are based on the same object. By setting the points where these works approach the theories of speculation, we want to justify their use from our perspective / O presente trabalho divide-se em tr?s cap?tulos, que constituem a seguinte estrutura: no primeiro cap?tulo, analisamos a figura da morte e suas caracter?sticas no contexto da obra de Guimar?es Rosa, dentro de uma tipologia espec?fica, determinando como essa figura surge atrav?s de imposi??o , aus?ncia , mem?ria e ritual . Com isso, pretendemos abranger todas as possibilidades que esse aspecto denota. No segundo cap?tulo, observamos a incid?ncia do espelho como elemento de an?lise de nosso estudo, caracterizando como uma condi??o estil?stica pode se tornar uma chave de leitura, necess?ria ? interpreta??o do livro Primeiras Est?rias . A caracteriza??o do espelho como elemento de an?lise possui uma fundamenta??o te?rica que se descortina ao longo de outras obras liter?rias que t?m por base o mesmo objeto. Ao estabelecer os pontos em que tais obras se aproximam das teorias da especularidade, pretendemos justificar seu uso sob nossa perspectiva

My work uses process as a course of action that marks the death of moments through a continuous stream of consciousness. I metaphorically link disparate pieces of information to the human condition in order to present multiple readings through juxtaposition. I assemble both abstract and figurative subject matter in a collage-like manner through methods of cropping and fragmentation to symbolize the disjuncture I feel is indicative of how we experience the world through short-lived thoughts, feelings, and actions.

My work uses process as a course of action that marks the death of moments through a continuous stream of consciousness. I metaphorically link disparate pieces of information to the human condition in order to present multiple readings through juxtaposition. I assemble both abstract and figurative subject matter in a collage-like manner through methods of cropping and fragmentation to symbolize the disjuncture I feel is indicative of how we experience the world through short-lived thoughts, feelings, and actions.