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Pessoa, figura, presença: o personagem cinematográfico entre o narrativo e o sensorial / Person, figure, presence: the film character between the narrative and the sensorialLeal, João Vitor Resende 05 June 2019 (has links)
Esta pesquisa pretende examinar as articulações e tensões entre o narrativo e o sensorial no cinema, trazendo como fio condutor, entre as convenções do narrativo e a imediaticidade do sensorial, o personagem cinematográfico. Entendemos que, sem abandonar as condições narrativas e representacionais que o produzem e definem (personagem-pessoa), o personagem de cinema é também um importante catalisador de afetos que agenciam memória e imaginação (personagem-figura) e, de modo mais substancial, um efeito produzido a partir de elementos concretos que se manifestam em termos de performatividade e de plasticidade (personagem-presença). Dessa forma, investindo numa reformulação da noção de personagem como \"efeito de personagem\" e explorando disjunções possíveis entre corpo, ator e personagem (sobretudo em filmes nos quais vários atores desempenham o mesmo papel ou, ao contrário, um mesmo ator desempenha diversos papéis), buscaremos fazer do personagem um instrumento privilegiado para a análise da complementariedade e dos eventuais atritos entre as dimensões narrativa (significação/interpretação), figural (sensação) e material (percepção) do cinema. / This research intends to investigate the tensions and articulations between the narrative and the sensorial in the cinema, having the film character as a guiding thread caught amongst the conventions of the narrative and the immediacy of the sensorial. We will argue that the film character is not only defined and conditioned by its narrative and representational implications (character-person), it is also an important catalyst of affects that stimulate our memory and imagination (characterfigure), and more substantially, an effect generated by concrete elements that often manifest themselves in terms of performativity and plasticity (character-presence). By reformulating the notion of character as \"character effect\" and exploring possible disjunctions between body, actor, and character (especially in films in which several actors play the same role, or on the contrary, the same actor plays several roles), we will advance the character as a privileged instrument for the analysis of the frictions and the complementarity of the narrative (signification/interpretation), the figural (sensation), and the material (perception) dimensions of the cinema.
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Obraz novináře v hollywoodském filmu / The Image ofa Journalist in Hollywood FilmsŠtáfová, Monika January 2013 (has links)
The objective of this thesis, The Image of a Journalist in Hollywood Film, is to interpret the images of journalists created in Hollywood films in the period from 1997 to 2007 by means of qualitative and comparative analyses. The analysis is carried out based on journalist characters appearing as protagonists in thirteen motion pictures from the given period. The comparison of the characters is executed within three groups, classified according to the type of journalist - investigative journalists, celebrity and lifestyle journalists and television anchormen and reporters. The characters are compared to each other from the point of view of physical appearance, character traits, family and social relations, their attitude towards authorities, the most common stereotypes and other character's perception of them. The summarization and data evaluation of the analysis confirms that journalist stereotypes do not often occur in this period, the protagonists are predominantly portrayed as heroes and that the differences outweigh the similarities.
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