This thesis is a collection of five pieces of creative nonfiction written over the academic years 2003—2005. Creative nonfiction is a genre that, in some form or another, has always existed, though trends in form and style are constantly in flux. Based on the experiences of the actual author, creative nonfiction seeks to present the journey of a mind at work, in a style that is candid, quirky, and insightful. It seeks to persuade its reader by establishing a likeable and trusted narrator; by relating interesting facts that teach the reader something about the subject at hand; and by appealing to the reader's emotions, especially through techniques of metaphor and figurative language typically employed by writers of fiction, poetry, and drama. Thus, it utilizes the three main tools of rhetoric laid down by that great orator of yore, Aristotle; namely, ethos, logos, and pathos. Rather than exploring one subject in-depth, as is typical of a thesis, this work explores a number of different topics, as is typical of creative nonfiction. The topics include my physical quirks, especially a congenital defect that prevents me from smelling; my volunteer experiences at the Provo, Utah Boys and Girls Club; the traditions of fishing and storytelling in my family; and my burgeoning interest in family history, which was stimulated by a trip to Pine Valley, Utah—a small, rural town in southwestern Utah where some of my early Mormon ancestors settled. The pieces are united more by form than by content, as well as by having been filtered through a single consciousness. Mostly, they are supposed to be enjoyable reading.