<p> An overview of transmedia experiments in which the body and experience is shown dematerialized through character play and reconfigured, into multiple consumable and interactive gestures of isolated fetishization or form. By questioning gender assumptions within secure networks of policy driven performative expectation, form is made. Investigating the values that drive fetishization and form significance in direct violation of accepted data sets, this work leverages intersectional data or generative power, towards solutions requested by the cyborg or humyn condition of bondage to technologized power.</p>

<p> My work is inspired by modes of production that involve the creation, sampling, and remixing of objects, processes, and ideas that surround us. This methodology is especially prevalent in the creation and consumption of electronic music in recent decades. The fluidity and proliferation through digital processes are fascinating and not many rules of engagement have yet been established. I have created an installation where the viewer is free to engage the space, the process, or the single object. The components used to form the installation were grown, collected, or created using multiple methods of production. Some were printed employing computer numerically controlled fabrication, others were made through analog processes, and some were even grown naturally, were found, bought, or mined for. Concurrently I was working with an active 3D printer in the space, forming more components to the installation as time passed. I invited the viewer to explore the physical space as well as the objects and processes themselves. Together they built a sculptural space.</p>