Thesis (D.M.A.)--University of North Texas, 2008. / System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Sept. 15, 2003, Apr. 12, 2004, Oct. 4, 2004, Jan. 28, 2008. Includes bibliographical references (p. 60-61).

Thesis (D.M.A.)--University of California, San Diego, 2008. / Title from first page of PDF file (viewed Feb. 9, 2009). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references: P. 17.

Thesis (Ph.D)--Universität, Münster (Westfalen), 2008. / Includes bibliographical references.

Treatise (D.M.A.) Florida State University, 2006. / Advisor: Frank Kowalsky, Florida State University, College of Music. Title and description from dissertation home page (viewed 8-21-2007). Document formatted into pages; contains 115 pages. Includes biographical sketch. Includes bibliographical references.

There exists a substantial lack of familiarity among flute teachers and music educators with extant publications of pertinent pedagogical flute repertoire at the intermediate level, specifically the concerto. Although readily available, suitable concerti for the important progression of the student from intermediate to the advanced level are often substituted with works too difficult technically and musically. In many situations, introduction and exposure to the concerto genre is virtually overlooked. Therefore, progression from an intermediate to an advanced level is often hampered, and a vital phase in the student's technical and musical development is neglected.This guide to intermediate-level concerti provides a systematic, methodical approach to the teaching of four concerti appropriate technically and musically for the established level of playing. The historical eras Baroque, Classical, Romantic, and Twentieth Century are each represented by one concerto.Chapters II, III, IV, and V provide a description of the concerto's evolution during the particular historical era specified. This examination is followed by a brief biographical sketch of the composer whose work is being discussed. The significance of each concerto in the composer's output is provided when such information is available. A list of all current and accessible editions is provided along with information about individual editors. An editorial paleography is supplied when more than one edition exists. Each of these four chapters concludes with a formal analysis of the concerto under discussion.Chapter VI provides a plan for the teaching and performing of each concerto. This plan is divided into two headings. The first is a didactic analysis of the following technical considerations: alternate fingerings, arpeggiated passages, double tonguing, meter, rhythmic patterns, and trills. Parallel etudes drawn from existing flute literature and original exercises by the writer are supplied. The second major area of discussion within the pedagogical analysis comes under the heading of the following interpretative considerations: articulation, breathing/phrasing dynamics, ornamentation, and tempo.The final chapter of the work includes a summary, conclusions, and recommendations. Three appendices contain moderately easy to intermediate, and intermediate to moderately difficult flute concerti as well as a publisher and agent code list.

An examination of the works for flute and piano of twentieth-century American composer Simon A. Sargon, a comparison of Sargon's works for flute and piano to works within the standard flute repertoire. Includes biographical information, a historical perspective of graded and nongraded literature guides, a review of current repertoire resources, and a historical background and detailed analysis of The Queen's Consort (1982), Dusting Around With Scott's Rag (1994), Sunflowers (1997), and Tarantela for Two Flutes and Piano (2004). Sargon's works were evaluated based on the rubric set forth in the National Flute Association's (NFA) resource guide, Selected Flute Repertoire: A Graded Guide for Teachers and Students (2001) and compared to literature contained within the NFA resource guide. Includes a catalog of Sargon's works, his curriculum vitae, and interviews with the composer.

Laconisme de L'aile and L'aile du Songe: sound and text as expressive elements in the flute music of Kaija Saariaho -- Laconisme de L'aile / Kaija Saariaho -- Terrestre / Kaija Saariaho. / text

Sonata in E major BWV 1035 / Johann Sebastian Bach -- Suite for flute and piano, op. 34 / Charles-Marie Widor -- Sonatine for flute and piano / Walter Gieseking -- Fractus III: Aerophoneme for flute and supercollider / Eli Fieldsteel. / text

Thesis (Ph. D.)--Ohio State University, 2007. / Title from first page of PDF file. Includes bibliographical references (p. 133-136).

Thesis (D.M.A.--Music)--University of California, San Diego, 2000. / Vita. Thesis consists of a document exploring "the issues of performing and recording music that uses technology" and a recording project. Five pieces of music for flute and computer technology were involved in the recording project: The twittering machine by Andrew May; Music for Flute and Computer by Cort Lippe; The Blistering Price of Power by Eric Lyon; Interact I by Barry Moon; and Jupiter by Philippe Manoury. Duration of acc. tapes: 58:05. "Selective discography" of works for flute and interactive electronics, and of works for flute and electronics on tape (leaves 54-55). Includes bibliographical references (leaves 58-61).