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The Franco-Belgian Violin School: Pedagogy, Principles, and Comparison with the German and Russian Violin Schools, from the Eighteenth through Twentieth CenturiesHan, Gyuhyun January 2019 (has links)
No description available.
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A study of Performance Practice in Vieuxtemps' Violin Concerto No.2 in F# minor, op.19Yen, Yu-chi 26 July 2012 (has links)
In the eighteenth century, the art of violin performance in France was promoted. Until in the nineteenth century, France became the center of art in the Europe, including painting, literary, architecture, and they were developed vigorously. The Paris Conservatory had a key position in music and expanded outward, and the music of Belgium was influenced very much, therefore they are named ¡§Franco-Belgian Violin School.¡¨ And the music is abundant in beautiful melodies and brilliant skills.
Henry Vieuxtemps was an important and representative violinist at that period. By the way, his works presented romantic emotion. First chapter in this study presents the development of violin school. The second chapter introduces Vieuxtemps¡¦ position of ¡§Franco-Belgian Violin School,¡¨ the background of his works. The third and fourth chapter, do a research of the form, the interpretation and the performance style of Violin Concerto No.2 in F# minor, op.19. Then a conclusion in the final chapter.
Key words¡GFranco-Belgian Violin School¡BVieuxtemps¡BRomantic music¡Bviolin concerto¡Bperformance practice.
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